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  1. #1
    Join Date
    May 2003
    Posts
    1

    Default beginner!!! please help ..

    CAN SOME BODY TELL ME THE PROCESS OF "How the feature film is prepared for copositing in s/w like combustion, what should be the i/p resolution (if i want the output for 2k res. feture film), how it is converted from video tape to high res. editable format.

  2. #2
    Join Date
    May 2002
    Posts
    86

    Default Work Flow - from film stock to Combustion and back to film

    Hello.

    Well, there is a standard workflow....

    1) Take the Filmstock and SCAN it to create high definition files. This procedure requires specialized equipment, such as a film scanner. Yoiu can read MORE about the process here: http://www.cintel.co.uk/ (Click under TECHNOLOGY - and download some of their white papers.

    2) File Types: Combustion can accept the following high res file formats:

    HDTV 720/30p
    Frame size: 1280 x 720
    Frame asp. ratio: 16:9 (1.778)
    Pixel aspect ratio: 1
    Frame rate: 30 fps
    Field order: no fields

    HDTV 1080/24p
    Frame size: 1920 x 1080
    Frame asp. ratio: 16:9 (1.778)
    Pixel aspect ratio: 1
    Frame rate: 24 fps
    Field order: no fields

    Film Full Aperture
    Frame size: 2048 x 1556
    Frame aspect ratio: 512:389 (1.316)
    Pixel aspect ratio: 1
    Frame rate: 24 fps
    Field order: no fields

    Cinemascope (Anamorphic)
    Frame size: 1828 x 1556
    Frame aspect ratio: 457:389 (2.350)
    Pixel aspect ratio: 2
    Frame rate: 24 fps
    Field order: no fields

    Academy Aperture Cineon Full
    Frame size: 3656 x 2664
    Frame aspect ratio: 457:333 (1.372)
    Pixel aspect ratio: 1
    Frame rate: 24 fps
    Field order: no fields

    Academy Aperture Cineon Half
    Frame size: 1828 x 1332
    Frame aspect ratio: 457:333 (1.372)
    Pixel aspect ratio: 1
    Frame rate: 24 fps
    Field order: no fields

    Or a Custom Format Setting: You can create a custom format instead of using one of the standard formats listed previously. Use the Custom format option to set exact values for frame size (and thereby frame aspect ratio), pixel aspect ratio, frame rate, and field order. Note: You cannot save your settings as a preset; you only use it as you make solid footage or a branch.

    3) After scanning, the files are very large and can be very difficult to move around - therefore a specialized network is used, called a hippi network. For more info, you can read about it here: http://hsi.web.cern.ch/hsi/hippi/

    4) Basically, the images files can be opened and worked on in Combustion. You can apply color corection, special effects, keying, 2D and 3D effects, text, paint, masks, etc. etc. etc.

    5) With LARGE file sizes such as the above, you DEFINATELY want to take advantage of network rendering (BackBurner) to distribute the task of rendering..

    6) After all the files are fully rendered, the final image sequences must be shot BACK to FILM: To do this, a specialized FILM RECORDER is used, for example, a CELCO digital film recorder (see: http://www.celco.com )

    Does this answer your question?

    Keep Combustin'

    Jack Pfeiffer
    Author of \"WebWarriors Guide to Combustion\", Combustion co-host at the www.CreativeCOW.net & www.vfxtalk.com -Founded the Danish Discreet User Group in 1999.

  3. #3
    Join Date
    Oct 2002
    Posts
    8

    Default I just wanted to say thanks!!!

    Hello Jack P., I just wanted to say thanks for your reply to "punit" question. Great explanation, thank you for taking the time. You guys are really making a wonderfull work.

    Jaime Fortuno Lavin
    IFF/3D
    email@camene.com

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