In a move that will be supported by employees, artists and fans, John Knoll has been promoted to the role of Chief Creative Officer at ILM, Lucasfilm Ltd. announced today. The promotion is effective immediately.
With ILM one of the key companies in the industry and the birth place of so many careers and brilliant visual effects shots, Knoll’s even more senior role in steering the company will be welcomed as great news.
Knoll, who joined the company in 1986, has served as a Visual Effects Supervisor since 1991. Knoll will serve alongside ILM President, Lynwen Brennan.
“I am thrilled that Lynwen asked me to take on this new role,” explained Knoll, “I am fortunate to work at a company as stable as ILM where we can focus our energy on the creative and continue to be able to bring together the right mix of talent and technology to keep ILM on the cutting edge.”
“In John I see a keen eye and an incredible mind for creative problem solving and that’s what visual effects are all about,” said Lucasfilm President, Kathleen Kennedy. “Lynwen continues to successfully navigate the business through these challenging times and I’m confident that with her business acumen and John’s experience and passion for combining creative art with technology, the company will continue to perform at the highest levels.”
Brennan who has been with ILM for fourteen years and has served as President since 2010 noted, “I couldn’t ask for a better partner than John. I have relied on John’s creative input for years and I’m thrilled to make this role official. His creativity and laser focus on combining technical innovation with artistry has benefited not only our clients but the company as a whole.”
John Knoll is known for his hands on innovation in visual effects. He is widely respected as one of the strongest vfx supervisors working today. He is also known for his various side projects from NASA moon landing reconstructions to his original co-creation of Photoshop with his brother Thomas. Coming from the camera department originally, John Knoll has been a driving force of innovation at ILM for years.
In 1996 Knoll founded the Rebel (Mac) Unit at ILM; a creative incubator for fine artists and software developers to define working methodologies and advance the state of the art. This lead to the development of a variety of breakthrough techniques including some of the earliest examples of digital compositing for THE ABYSS, a tool to recreate optical lens flares in the digital realm first used on HOOK and a host of advanced digital camera projection techniques used porno tv on such films as MISSION: IMPOSSIBLE, STAR TREK: FIRST CONTACT and STAR WARS: EPISODE I, THE PHANTOM MENACE. Knoll was also a key contributor to the development of ILM’s cutting-edge on set performance capture technology, Imocap, which saw its first use on PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST and has been used on 12 films. Most recently it was used on the Oscar nominated MARVEL’S THE AVENGERS.
In 2012 Knoll was elected to the Academy’s Board of Governors representing the visual effects branch and is a four-time Academy Award nominee. In 2007 he won both the Oscar and the BAFTA for Best Visual Effects for his work on PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST.
John Knoll has been interviewed many times here at fxguide and will next be on fxguide as Visual Effects Supervisor on Guillermo del Toro’s, PACIFIC RIM.
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