How the effects studios on Age of Ultron were cast, and how they pulled off the film’s spectacular VFX.
We talk with Jeff White from ILM about Hulk, digital New York and more in the mega blockbuster hit The Avengers.
Mike Seymour, Matt Wallin and Ian Failes discuss the visual effects work done in Marvel’s Avengers: Age of Ultron.
The Academy of Motion Picture Arts and Sciences extends invitations to artists for Academy Membership each year. Here are the 2013 invitees for Visual Effects.
Part 1 of our coverage of Avengers Infinity War: A deep dive into the new Thano’s face pipeline at Digital Domain.
Matt Wallin and Matt Leonard join Mike Seymour to review the visual effects of the year’s biggest film to date: The Avengers.
Hot on the heels of the VFX Oscar bake-off, we talk to The Avengers ILM visual effects supervisor Jeff White and animation supervisor Marc Chu about the film, one of the 10 in consideration. And we also showcase the new January 2013 term of effects training courses at fxphd.
Grab your gauntlets : After ten years it’s War.
Each year The Academy of Motion Picture Arts and Sciences extends invitations to join the academy. The 2014 invitees for Visual Effects are
Mike Seymour, Matt Wallin and Jason Diamond discuss the visual effects of the new Marvel Studios and Joe Johnston film release, Captain America: The First Avenger
Lola VFX discuss their facial work behind the character of Vision in Marvel’s Avengers: Age of Ultron.
An in-depth look at the art of stereo conversion, including The Avengers, John Carter, Titanic and Transformers: Dark of the Moon.
This morning The Academy of Motion Picture Arts and Sciences announced the nominees for the 85th Academy Awards®. The nominees are…
Surely one of two or three films that will define the term ‘summer blockbuster’. The Avengers brought together not only some great Marvel characters but also an impressive roll call of visual effects houses: ILM, Weta and several others.
We take a look at several studios’ visual effects work on Captain America: The First Avenger.
As a thank you to our fxinsider members, we have two full-length interviews on ILM’s visual effects for Avengers: Age of Ultron.
In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.
Here’s the longlist of BAFTA nominations for the visual effects and animated film categories.
They may go by in just seconds, but here’s how one artist helped contribute to many of the titles you see in the biggest trailers from Marvel and other studios.
Now out of public beta, an update of the open source high dynamic range file format OpenEXR to include several new features, including deep data support, has been released with version 2.0.
The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 88th Academy Awards®.
Find out which films have made it into the top-20 for the VFX Oscar, and let us know what your final ten and final five would be.
Day three at FMX saw a huge turnout for the ILM and Weta Digital Avengers presentation, plus more great virtual production talks.
The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 85th Academy Awards®.