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- This topic has 5 replies, 5 voices, and was last updated 13 years, 4 months ago by Saran Sirikasamsap.
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June 28, 2007 at 2:34 pm #201687paul_roundParticipant
Does anybody have a formula for translating camera stops into the colour corrector?
June 28, 2007 at 4:35 pm #215763tscholtonParticipantPoking around I found this thread on another site. Also in Sapphire v4 under S_FilmEffect there are controls for Neg Exposure, Print Exposure, Print Lights and lots more.
Jeff
June 29, 2007 at 4:45 am #215766Saran SirikasamsapParticipantincreasing the exposure by one F-stop results in an image with the luminance value double that
of the original….does this help ?June 29, 2007 at 5:13 am #215765prajjwalParticipant@rohit 23467 wrote:
increasing the exposure by one F-stop results in an image with the luminance value double that
of the original….does this help ?Actually, increasing by one F-Stop doubles the luminance of the original IN LINEAR color space. If you are working in FFI, there is a 99% chance that you are working either in video space (aka sRGB or gamma 2.2) or in log space.
For video space (HD, DigiBeta, some JPG you found online, etc…) do a gamma of 0.45, then gain 200%, then gamma 2.2. I suggest using 3 separate CC nodes in Batch, as I am not sure of the order of corrections within a single CC node. (You should be in 12 bits, otherwise the banding is gonna sting!).
Actually, even in 12 bits, this is pretty brutal, so I suggest taking a peek and emulating the result with a curve.
For log space, take your original Cineon file, add a LUT Editor with the default values (Log to Lin, ref white 685, ref black 95, highlight 4095, shadow 0, Gam Film 1.0, Film Gamma 0.6, Softclip 0). Add a CC node after with a gain of 200% then apply a LUT Editor with default values but this time Lin to Log.
Again, I strongly advise to take a peek, then emulate the look with a curve in CC.
**SIGH** Now if FFI could give us 32 float or even 16 integer bit depths… we could finally join the world and work in linear like everybody else… Then working in f-stops would only require a single gain adjustment…
— Xavier
June 29, 2007 at 5:23 am #215767Saran SirikasamsapParticipantthats a good explanantion…thanks
June 29, 2007 at 3:40 pm #215764pixelmonkParticipantManaged to build myself a macro in batch, using a frame rendered one stop lighter in Shake, as a reference.
Works a treat. -
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