Colour correction

Home Page forums Autodesk/Discreet Flame and Smoke Colour correction

Viewing 6 posts - 1 through 6 (of 6 total)
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  • #201687
    paul_round
    Participant

    Does anybody have a formula for translating camera stops into the colour corrector?

    #215763
    tscholton
    Participant

    Poking around I found this thread on another site. Also in Sapphire v4 under S_FilmEffect there are controls for Neg Exposure, Print Exposure, Print Lights and lots more.

    Jeff

    #215766
    Saran Sirikasamsap
    Participant

    increasing the exposure by one F-stop results in an image with the luminance value double that
    of the original….does this help ?

    #215765
    prajjwal
    Participant

    @rohit 23467 wrote:

    increasing the exposure by one F-stop results in an image with the luminance value double that
    of the original….does this help ?

    Actually, increasing by one F-Stop doubles the luminance of the original IN LINEAR color space. If you are working in FFI, there is a 99% chance that you are working either in video space (aka sRGB or gamma 2.2) or in log space.

    For video space (HD, DigiBeta, some JPG you found online, etc…) do a gamma of 0.45, then gain 200%, then gamma 2.2. I suggest using 3 separate CC nodes in Batch, as I am not sure of the order of corrections within a single CC node. (You should be in 12 bits, otherwise the banding is gonna sting!).

    Actually, even in 12 bits, this is pretty brutal, so I suggest taking a peek and emulating the result with a curve.

    For log space, take your original Cineon file, add a LUT Editor with the default values (Log to Lin, ref white 685, ref black 95, highlight 4095, shadow 0, Gam Film 1.0, Film Gamma 0.6, Softclip 0). Add a CC node after with a gain of 200% then apply a LUT Editor with default values but this time Lin to Log.

    Again, I strongly advise to take a peek, then emulate the look with a curve in CC.

    **SIGH** Now if FFI could give us 32 float or even 16 integer bit depths… we could finally join the world and work in linear like everybody else… Then working in f-stops would only require a single gain adjustment…

    — Xavier

    #215767
    Saran Sirikasamsap
    Participant

    thats a good explanantion…thanks

    #215764
    pixelmonk
    Participant

    Managed to build myself a macro in batch, using a frame rendered one stop lighter in Shake, as a reference.
    Works a treat.

Viewing 6 posts - 1 through 6 (of 6 total)
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