[ravi patel]

Best way I\’ve found to \’offline\’ in FCP is edit two video tracks at once, left eye, right eye. Maybe make a sequence with everything sync\’d on 2 tracks first, then copy paste your edit into your edit timeline.

Then create and copy a Motion and Distort to make a side-by-side, half-width each eye. Most 3D TVs can accept a side-by-side and display it 3D.

The good thing about this method is that you can create an EDL for each eye to take to an \’online\’ 3D system. It\’s a clunky way to edit and I wish there was something better.

[ravi patel]

I’ve never known what people actually do with these chrome balls when they’ve got them. Dumb question but is it a guide to manually make reflections or would you make a map from that portion of the frame?

[ravi patel]

Ron Brinkman seems to have written the ‘bible’ on all this stuff

http://www.amazon.co.uk/gp/product/0123706386/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=471057153&pf_rd_s=lpo-top-stripe&pf_rd_t=201&pf_rd_i=0121339602&pf_rd_m=A3P5ROKL5A1OLE&pf_rd_r=0M3QQZG805FS83PXYAJV

I have to say that while I understand the issue now, I don’t fully understand how you might deal with it.

After Effects can convert it’s sources to linear but what does that mean you have do when viewing the result?

Jamie
(dickij10 on the tweets)

[ravi patel]

Thanks for that. It’s kind of what I thought. I’ll bear in mind your comment about keying.
Cheers – Jamie

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