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  • in reply to: DV Mattes… Am I Incompetent? #213136
    shah alam
    Participant

    I spoke to our DoP about the blue/greenscreen lighting and he agreed the use of full CTB (colour temperature blue) that we used almost certainly reduced overall illumination by about a stop. For our shoot that was fine as we were only lighting a small three metre wide screen (enough to cover two guys in alien makeup and costume).

    He also said that for a large stage shoot the screens may well be lit using HMI’s, that would create a blue cast which would in effect do something similar to gelling the lights (not to the same level though), although this would only work for bluescreens and not greenscreens.

    in reply to: DV Mattes… Am I Incompetent? #213137
    shah alam
    Participant

    I’m not sure if gelling lights blue for illuminating bluescreens is common practice or not, it was just an idea that our DoP put into practice; he may have got the idea from a cinematography resource. I’ll ask him next time I speak with him; we’ve got a greenscreen shoot this coming wednesday so I’ll ask him then.

    I haven’t tried the plugin myself, so can’t offer any advice on how well it works. I was about to download the trial version a few months ago but never got round to it as I got pretty good results by just blurring the blue channel

    in reply to: DV Mattes… Am I Incompetent? #213138
    shah alam
    Participant

    I’ve done a fair bit of keying with DV footage for our film and have found that greenscreen will normally produce better results than blue (I think that blue gets sub-sampled more than green). If however your footage is bluescreen you could try blurring the blue channel a little, even just by 1 pixel and that should help soften the blocky edges enough to get a better matte edge. Apart from that, we found that if a little time is spent while lighting the blue/green screen so that it’s vibrant (the lights that we lit the screen with, we actually gelled them blue) will really help in post.

    Here’s a link that I picked up from one of the fxguide podcasts: http://www.dvgarage.com/prod/prod.php?prod=dvmatteae I think it works by combining a chromakey with a lumakey (the luma information in DV isn’t sub-sampled) that helps produce good edges.

    Good luck with it.

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