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Great tut jams.
Thank you.
make a vimeo 😉b
Hey,
“1 last thing- is it possible to corner pin a clone source and is that easy to set up? like, can you use a composite as a clone source?”Whatever your clone source is make a layer out of it.
Set the comp to 3D mode & set the layer to be 4 korner.
You can reference this whole branch from anywhere else now.
Paint has the option to reference comps,layers,footage etc.Yes,You can group(CTRL+G) paint strokes & offset them.
no flatten/rasterize option.You’ll have to render.
b
hi,
Fusion has a mode called multi stroke(which it defaults to btw) It behaves closest to what you want.b
nice work jay.
The david charvet song rocks !!!b
@johnmont 23569 wrote:
Greetings — good timing with this question. I’m actually on tour in Asia doing masterclasses in Bangkok, Beijing, Seoul, and Mumbai — and showing how to do this as part of my presentation.
hey john,
where and when in mumbai ??? 😉b
hey loops it’s about time you got on board wth the fxphd team.
giddy up !!!seriously man, give it a thaught.
b
hello,
Toxik is not meant to be a replacement for C*
imho C* has a version or two before it reaches a dead end as far as competing with other apps.b
hi and thanks 🙂
nice to hear that.
Do you happen to shoot on set for refrence and have you tried the HDRI jig with your cam.
If you have done any HDRI…fish eye lens ???.thanks for your input
bDesign First for 3D Artists (Paperback)
by Geoffrey Kater …lovely book.Not exhactly related to Mographing but worth it all the way.The ANVEl has released a DVD from(TotalTraining).
That and he has online classes as well.Motion Design: Moving Graphics for Television, Music Video, Cinema, and Digital Interfaces (Hardcover)
by Matt Woolman.i’m a wannabe(closet) mographer heheh.My futile attempts have become better with a lil practise but i keep running into walls due to a lack of
^^design sense^^ .Thats why i appreciate the discipline so much.b
hi,
google for zica.
they are situated in bombay(andheri).
Supposed to be the official traning place for smoke and flint.
If youre looking for practical real world exhamples then i’ve not heard the best things of them.b
vealemoble wrote:what program? shake?real viz matchmover.
although his training is very software agnostic/independant(read his book).
b
[quote=”myth”] Perhaps they move on to bigger and better things… like supervising for film, directing )[/quote]
True.That would be the logical move to make.
Also because the tools are getting cheaper,fater and better a lot of us will have to start thinking and practising the actual craft were trying to emulate digitally (cinematography,lighting,photography,art direction,sculpting etc).
REALTIME is not very far away, The power will be put back into the hands of the real artisans(above) because of technology and it’s ease of use…look at what Z-BRUSH is doing for modellerrs and matte painters.I believe lusture is being used as a previz tool on set for dp’s.How long is it going to be before i can get a rough/good triangulation(image modelling) of the set and do a real time previz(semi radiosity) of what it could look like even before setup time has been spent on set …just a thaught 😉
b