fxguidetv #065
Director Pete Sohn about creating his short film “Partly Cloudy” and Bob Whitehill talks about creating the 3D version of “Up”.
Listenfxguidetv #064
Supervisor Enrique Criado on the different aspects, both technical and narrative, of stereoscopic production.
Listenfxguidetv en español #001
Entrevistamos al supervisor estereoscópico Enrique Criado, sobre los distintos aspectos técnicos y narrativos de la estereocopía.
Listenfxguidetv #063
We talk with Lucas Martell about his film Pigeon Impossible that was shown at Siggraph 2009 and we visit the Emerging Technology exhibits.
Listenfxguidetv #062
Siggraph 2009. Fluid sims with Exotic Matter and Autodesk show news.
Listenfxguidetv #061
A conversation with Stu Maschwitz about new DSLR cameras such as the 5DMKII. fxphd July09 term promo covering the new courses.
Listenfxguidetv #060
We talk concept art and design with Feng Zhu and a look at the Heads Up displays in Iron Man with Dav Rauch.
Listenfxguidetv #059
Intelligent Creatures 2D Supervisor Greg Astles breaks down the creation of Rorschach’s mask for the movie ‘Watchmen’.
Listenfxguidetv #058
Star Trek. Interviews with director J.J. Abrams and actor Karl Urban.
Listenfxguidetv #057
The making of the amazing Philips frozen moment web promo with Richard Lyons, vfx supervisor at Red Drum.
Listenfxguidetv #056
NAB2009, episode 3. A trip around the show with stops at Cine-tal, HP DreamColor, da Vinci, Matrox and Eyeon. We also talk with Ted Schilowitz at the RED user party.
Listenfxguidetv #055
NAB2009, episode 2. Trapcode Particular v2, The Foundry previews a project that fixes material with rolling shutter, Sohonet, AJA Ki Pro and Io Express.
Listenfxguidetv #054
NAB2009. Interview with Autodesk’s Philippe Soeiro about their new software product Flare and a look at the new 2010 releases.
Listenfxguidetv #053
Interview with visual effects supervisor Andrew Jackson about the film “Knowing” and a look at the April 09 term at fxphd.
Listenfxguidetv #052
Double Negative vfx supervisor Paul Franklin, one of the Academy Award nominees for visual effects on “The Dark Knight”.
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