Sam Hodge discusses why NeRFs and gaussian splatting are changing VFX, real-time, photoreal volume capture in an AI game-changing way.

Ramsey Avery, production designer of Marvel’s Captain America: Brave New World, with an in-depth discussion of the relationship between production design and VFX

Behind the Scenes of filming Silo Season 2 with DOP Ed Moore.

Chris Bridges, Emmy-winning visionary at Gaslight FX Studio, discusses the world of prosthetic makeup and special effects from Star Trek: Strange New Worlds series to the feature film:Heretic.

A deep dive into Dune: Part Two with Oscar winner Paul Lambert, including that amazing black-and-white infrared sequence.

We speak with Wētā FX VFX Supervisor Luke Millar and Animation Supervisor Dave Clayton about the seamless complex animation of Robbie Williams.

We speak with Gracey to discuss the film, its complexity, challenges, and how he approached this innovative and powerful independent film.

From complex flying rigs, monkey’s and feather to set extensions and those millions of tulips, ILM’s great work on the box office hit: Wicked

We discuss rights, providence, and generative AI legality with Getty Images’s Grant Farhall.

Simon Yuen is Senior Director of graphics and AI at NVIDIA, where he leads the company’s digital human efforts such as ACE.

Zap Andersson shares his tips and tricks gleaned from testing AI tools for his bizarre YouTube series: UNREAL MYSTERIES

We dive deep with Alexandru Costin into FireFly, the future of gen AI, Adobe’s strategic plans, and the lessons learned along the way.

The short goes far beyond a tech demo and is attempting to make a statement about the industry at large, mainly through a ridiculous comedy.

LEDs Walls, Graffees running amok, flooding sound stages and killing Gladiators! – We talk to the team behind ‘For Those Who Are About To Die’

Just how do you get emotion and performance animated through a rigid mask to allow Deadpool & Wolverine to act?

Matt Akey outlines trends in the industry, including Crafty Apes’ latest work such as Bad Boys: Ride or Die.

Paul Debevec and the 25th anniversary of Fiat Lux, the 20th anniversary of The Parthenon, and the 10th anniversary of digital President Obama.

Continuing our look at the hot contenders in this year’s Emmy Awards race, we chat with Chris MacLean to discuss his approach to the epic series Foundation on Apple TV+.

ILM’s Richard Bluff on Ashoka, space whales, Anakin, Vader, tricks learned in LEDv olumes, and being teased by Dave Filoni. Plus a galaxy of BTS stills.

In our latest fxpodcast, we talk with Creative Technologist Bilawal Sidhu and discuss spatial intelligence, visual intelligence, and generative AI in the media and entertainment space.

We discuss the hit new Kingdom Of the Planet of Apes film with Director Wes Ball and Wētā FX VFX Supervisor Erik Winquist.

Production VFX Supervisor Michael Cliett discusses making FX’s Shōgun.

In this special joint podcast we discuss the Apple Vision Pro with VR expert and podcaster Kent Bye.

DNEG and Wētā FX discuss crafting Godzilla x Kong: The New Empire

We talk to the Director, Producer and Wētā FX team from the Oscar winning short: War is Over: Inspired by the Music of John & Yoko

Ian Spriggs is an unbelievable digital artist creating the most believably insightful portraits.

Masters of the Air VFX supervisor Stephen Rosenbaum and Mike’s 1000th podcast here at fxguide

At this the start of award season, we talk to ILM’s Alex Wuttke about Mission: Impossible – Dead Reckoning Part One.