This week Mike and Jason discuss new gear, but with a focus on production issues – including BulletProof, Premiere CC, FCP X and Cinestyles. Plus in the Red Room is indie lens maker/modifiers Dog Schidt Optiks, with Richard Gale.

If you’d like the show notes from this week’s ep #130, please download the show notes.

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One Response to the rc #130: production special

  1. Frustrated Nikon user lol

    I had a D4 for a few months which shoots raw stills at 9-13fps or something crazy, and the buffer never seems to fill up cause of the faster XQD card. Now this magic lantern stuff being limited by the CF card my thoughts are if we had a magic lantern team for nikon would this camera be able to do HD raw at a high bit rate, full frame , , etc. Ive always thought companies limit the cameras intentionally and this kinda proves it for me.

    Ive stuck with nikon cause I can mount their lenses on anything but man 5D raw makes me want to buy my first canon and keep my lenses. But the BMCC pocket is still my end to chasing DSLR video quality.

    Posted by Rob Bannister on

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