An ad for beer, with deer
Alt.vfx supervisor Colin Renshaw tells us about the Tooheys Extra Dry ‘Nocturnal Migration’ spot, featuring both real and mocap’d digital deer. Includes a behind the scenes making of vid.
the vfx show #138: Hugo
Mike Seymour, Jason Diamond and Jeff Heusser discuss the visual effects of Martin Scorsese’s film, Hugo.
Puss in Boots: color grading in stereo
Puss in Boots colorist Jeff Olm discusses working on the animated film for Dreamworks Animation, in this fxinsider podcast.
SIGGRAPH Asia preview: extinction transmittance maps
In this audio podcast, we talk to Pascal Gautron from Technicolor Research & Innovation about a SIGGRAPH Asia technical sketch on Extinction Transmittance Maps.
Mo-capping penguins, and krill, for Happy Feet Two
In this video from our media partners at The Daily, the motion capture supervisors discuss their work on Happy Feet Two.
fxpodcast: Rob Legato – Hugo
VFX sup. Rob Legato joins us for a discussion of the visual effects in Martin Scorsese’s Hugo.
Hugo: a study of modern inventive visual effects
We delve into the extraordinary stereoscopic visual effects work in Martin Scorsese’s latest film, Hugo.
Breaking Dawn: making wolves
In this special fxinsider only podcast, we visit Tippett Studio to discuss their digital wolves for Breaking Dawn – Pt 1.
Digital District’s UK MVA noms
We talk to French vfx studio Digital District about two music vids they worked on that were finalists at the UK music video awards.
the rc #102: Shane Hurlbut ASC
This week the guys talk film looks, Miro and in the Red Room, DOP Shane Hurlburt ASC.
J. Edgar’s motorcades and marching bands
Method Studios discuss their invisible virtual environment and crowd effects for Clint Eastwood’s biopic ‘J. Edgar’. Updated with before and after pics.
The Muppets: It’s time to raise the curtain
We go behind the scenes with Look Effects VFX supe. Max Ivins on The Muppets.
the vfx show #137: Anonymous
Mike Seymour, Matt Leonard and Mark Christiansen discuss the visual effects and cinematic experience of Rolland Emmerich’s new film, Anonymous.
For Example: The Mill LA’s Tim Davies and Flame
In the first of our new ‘For Example’ series, lead 2D artist Tim Davies from The Mill LA talks about how he uses Autodesk’s Flame and what tools he uses, for example, in his daily work.
How to crash a train: Super 8
In this video from our media partners at The Daily, ILM VFX supe Dennis Muren and animation supe Paul Kavanagh break down Super 8’s amazing train crash.
the rc #101: The Alexa Ep: It’s all about story
This week we focus on story, shot design and focus on the Arri Alexa. In this special episode we have two Red Room interviews: Anna Foerster DOP of Anonymous and Gareth Neame about Downton Abbey.
Killer visuals: Tippett’s God speed fx for Immortals
We go in-depth with Tippett Studio on their Gods vs Titans vfx for Immortals.
Immortals: Q&A with VFX sup. Raymond Gieringer
Immortals VFX supervisor Raymond Gieringer discusses the planning, on-set InterSense and live-viz systems for the visual effects in Tarsem Singh’s film.
