the vfx show #4: X-Men
Alex Lindsay, Ron Brinkmann, and special guest Jon Labrie review X-Men and discuss the technologies used in the film.
the vfx show #3: The Da Vinci Code
Ron Brinkmann and Alex Lindsay ponder the effects of The Da Vinci Code.
The DaVinci Code and Double Negative
https://media.fxguide.com/fxpodcast/fxg-052206-davinci.mp3 Play in new window Download
the vfx show #2: Poseidon
Ron Brinkmann and Alex Lindsay discuss the visual effects and challenges of the new movie Poseidon.
the vfx show #1: Mission: Impossible III
Alex Lindsay and Ron Brinkmann discuss the effects in Mission: Impossible III.
Mr. X Scares up Effects for Silent Hill
A conversation with Evan Jacobs about the visual effects done by Mr. X for the feature filme Silent Hill.
‘Poseidon’ Fluid Simulations and ILM Visual Effects
A look at some of the visual effects behind the blockbuster ‘Poseidon’ movie.
Red Camera : A Peak Behind the Curtain
Following up from last week’s very successful podcasts is the rest of the interview with Red Camera’s Ted Schilowitz – so called Leader of the Rebellion.
NAB2006 Report – Wednesday April 26
In our final podcast from NAB, we explore some of the less obvious gems of the show and discuss the relevance of NAB as an event.
NAB2006 Report – Tuesday April 25
Roundtable and interviews covering: The Red Camera, Apple developments and SDK DVD produced by fxphd, Plug-ins, Filmlight, Gum…
NAB2006 Report – Monday April 24
Coverage of the annual Autodesk user group meeting and information about our new sister site, fxphd.
Digital Intermediate Colour Grading
Mike Seymour covers the ins and outs of digital grading with colourist Warren Lynch.
Autodesk Master Classes at NAB 2006
We speak with Jake Parker and Michael Ruzicka about their presentations at the flame and smoke master classes being held at NAB this year.
The Job Search
We speak with Teresa Hall of Muse recruitment about how vfx artists can best present themselves to prospective employers.
After Effects 7 32-bit Workflow
A conversation with Stu Maschwitz of the Orphanage about using a 32-bit linear color workflow in AE. Maschwitz has been an evangelist for using After Effects for high end projects.
