Toxik behind the scenes – NAB 2002

Toxik was relaunched to the effects community today. Last seen at NAB 2002 and called Strata and Mezzo. So what happened ??? Where the heck did it go, and how does today’s version compare with the one we saw in 2002?

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Don’t look for a discreet stand at NAB

With a twinge of sadness, we’re reporting that the Discreet name is now history. As such there will be no separate company ‘Discreet’ – only Autodesk Media and Entertainment division. We sat down with some employees of the company formerly known as discreet and asked what impact this would have on customers and why the change? We also have some fun and visually take a look back at the evolution of a company image from on that exuded creativity and a shared

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fxguide Advanced Shake Training

fxguide is pleased to offer high level Shake training in two upcoming seminars in Sydney, Australia.
Shake for Flame Artists, and Compositing for 3D Animators. The seminars are for experienced VFX and 3D artists, covering advanced keying, floating point workflow, multi-pass 3D and live action integration, strategies for complex effects using Shake, and more.

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Award Season Continues: Tropfest 2005

Tropfest is the world’s largest film festival, with 130,000 people attending to watch 16 finalists in one of the world’s most popular short film festivals. The rules are simple. First, it must be contain this years signature item (this year an umbrella). Second, it must be less than 7 mins. Finally, the film must premiere at Tropfest and cannot have been shown previously anywhere.

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Visual Effects Oscar winner announced

The 2004 Visual Effects Oscar was presented as part of the live Oscar broadcast tonight.
Updated.

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VES Awards 2005

A nite of fun at the 3rd annual Visual Effects Society awards at the Hollywood Palladium.
Eli Jarra – a winner last year and a nominee this year, walks us through the night, from the limo to the last award.

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Digital Vision Buys Nucoda

Digital Vision announced today that it has agreed to acquire Nucoda Ltd. who is a leading supplier of advanced digital media solutions for film and video, including systems that support the digital intermediate process in the 2K and 4K domains. In exclusive discussions with fxguide, Digital Vision’s President and COO Robert Ekstrom states “the final talks on the acquisition has been intense and quick”, we asked him about what this means to the future of D

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fxguide LIVE’05 at NAB Announced

fxguide returns to NAB in Las Vegas this year on Sunday, April 17th, thanks to popular demand and the generous support of Discreet and SGI. For the first time at NAB there will be both a flint/flame/inferno and a fire/smoke fxguide live session. The seminars will cover the recently released effects 6/9 and editing 6.5 versions, sharing tips and tricks to help you get the most out of the software. Find out more about the event which one artist says “

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77th Annual Academy Awards Nominees

Seven films went to the Bake-off last week. Today the three films nominated for the 2004 Visual Effects Oscar were announced…

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Nominees for 3rd Annual VES Awards

The Visual Effects Society (VES) announced their nominees this week for their awards honoring oustanding visual effects in 19 categories of film, television, commercials, music videos and games. On January 22nd, VES will hold their “Big Reveal” — an oustanding event where VES members and the general public can hear about the work first-hand from the artists….

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Academy Announces Films for Visual Effects Oscar

The Academy of Motion Picture Arts and Sciences has announced the seven films being considered for Achievement in Visual Effects for the 77th Academy Awards.

UPDATED:1/6/05

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Passing of an old friend

Since 1994, if a post house wanted to install the fastest most powerful finishing room it meant a discreet Onyx. After ten years, sgi is discontinuing the Oynx line meaning the end of Inferno and Fire as we know them on Onyx.

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Farscape : Artists in Action

“My first job in the post production industry was as render wrangler on Farscape series 1 in 1998-99. New to 3D and VFX compositing it was very exciting to be involved. Series 1 proved to be a huge success, the quality of the FX shots helped Australia gain respect in the industry on the world stage. Five years later having some shots in the final mini series return to us was a great thrill, we wanted to do as much as we could to go out with a bang and do

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fxguide Live in China

China is an amazing country – with massive potential and an extremely determined visual effects community. Last month Fxguide was Live in Shangahi, for 3 days of compositing lecturing and training with the help and sponsorship of ChinaDV, which is China’s leading visual effects community internet company. We spoke to some of the talented artists in Shanghai and explored a community facing massive cracked software issues. Of course it is not only the visua

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Max Me Out a Second Time

After our recent article about Max-T, we received quite a few questions and comments from readers. We passed the questions on to Mike Hughes, V.P. Business Development at Max-T, who took a moment to respond. In this evolving world of shared storage in the post production environment, comparisons between various solutions can quickly become complex. Mike Seymour takes a closer look in this Q&A session…..

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Painter IX Test Drive

Photoshop has made major gains in reproducing brushes, and it is the cornerstone of most digi-matte departments. Does Painter still have role to play? Is Painter just a weekend app, or can it reposition itself?

Corel has moved to make Painter a more professionally focused tool for concept art, matte paintings and illustration work, in so doing they are moving away from the “Santa Fe” casual artist. Fxguide took version IX for a road test and spoke to

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Stoned and Wired: Behind Discreet’s Y2k+4 bug

“It was clear from the look on their faces – that they weren’t joking… we knew we had a global problem, that’s when we hit the panic button”. Just three hours after a major support call from Paris, plus eight and a half years after an MIT graduate in Boston decided to generate a unique ID for any frame in any discreet system using a 28 bit number, Bill Roberts (Director of Product Management – Systems) realized that Discreet had a serious problem. Ever

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Breaking News: Critical Message from Discreet

Discreet has identified an issue that affects ALL users of inferno,flame, flint, fire, smoke, backdraft, and frost that MUST be addressed BEFORE OCT 2ND or your system WILL NOT FUNCTION!



Updated Again: Oct 1st

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