Fox presents a new TV show “Drive” featuring visual effects by Zoic Studios. We spoke to co-founder Loni Peristere about work on this and the companies amazing run in cutting edge episodic television effects from CSI: Crime Scene Investigation, Buffy to Battlestar Gallactica, 24 and now Drive.

We speak to Ted Schilowitz, Leader of the Rebellion at the RED Digital Cinema Company about NAB, RED CODE RAW, the various options you can buy for the camera.

Dan Curry pioneered high volume, high quality episodic television visual effects and as a result has been nominated for a visual effects Emmy fifteen times and won seven times.

We speak to Hydraulx co-founder Greg Strause about their amazing 3D work on 300 and his first impressions of Alien vs Predator 2, having just come off set from co-directing the film.

In this podcast we talk to two of the companies behind some of the shots in Night at the Museum. When we heard that Dick Van Dyke was a not only a fan but VFX hobbyist, we could not resist asking the guys about what it was like to work with someone who started by dancing through a cartoon with Walt, and recently diced with death with a T REX, we also cover bubble gum rocks and ‘real’ miniatures !

Mike Seymour chats with Jeremy Hunt, founder of Screaming Death Monkey, about their work for the upcoming film 300.

We talk to Steve Sullivan, Director Of Research and Development for Industrial Light and Magic, about development of OpenEXR and their in-house image-based modeling tool.

We speak on set with Director Dario Piana for an update on the production of the feature film Deaths of Ian.

This week we talk to legendary London FX artist and director Jon Hollis of Nice Shirt Films, who was a co-founder of Smoke and Mirrors.