Update Monday April 29 1600GMT
On the Association Françaisedes Directeurs De La Photographie Cinématographique web site, Jean-Pierre Beauviala, Founder and CEO of Aaton posted the following statement:
With its perfect ergonomics, its bright reflex viewfinder, its low noise, and, above all, with its chromatic finesse and its skin tone rendition never before seen in digital images, the Penelope Delta camera has shown that it is the worthy descendant of the Penelope film camera.
Unfortunately, final production has been hit by defects in the controller for the Dalsa sensor, and then by non-uniform performances of the sensors themselves, whose quality did not match that of the prototypes.
Unable to deliver the numerous cameras ordered and already manufactured, Aaton found itself short of capital, and we have had to resort to a financial receivership procedure so as to allow the company to be bought by an outsider.
The future Aaton will offer two new cinema tools : a successor to the Cantar audio recorder, and a digital ’documentary’ camera with a reflex viewfinder in the style of the A-Minima.
Further update: May 1st
Also posted on CML was
Statement from Jean-Pierre Beauviala
Over the last couple of years, Aaton devoted its energy and resources to the development of a new high-end camera, Delta Penelope. The prototype got rave reviews for its crisp but still velvet image structure, and its outstanding chromatic finesse resulting in exceptional skin tones and subtle hues.
The CCD sensor used, though its imaging was excellent in the prototypes, has not allowed us to ensure the same perfomances in industrial production. This is particularly regrettable, since many orders have been placed for the camera.
Aaton is not closed; the company will be taken over by new owners.
At this stage, finance will not in itself solve the Delta Penelope problem, but it will allow us to continue on other developments (based on Aaton
patents) already in the pipeline.
The new Aaton will focus on two new products to start out with:
the CantarX+ audio recorder (the current crop will be maintained), and the D-Minima documentary style reflex-viewfinder digital camera.
Many thanks to those who send me their personal "encouragements"
and to those who offered us their dreams about the new Cantar, I think you will love to play/work with it.
With companies falling like flies, Geoff Doyle, CML Owner posted "I just heard that Aaton have closed whilst looking for an investor. So so sad", on twitter an hour ago.
Aaton is/was a camera manufacturer, based in Grenoble, France. Aaton was founded in 1967 by Eclair engineer Jean-Pierre Beauviala, and was known for small and reliable cameras -often used in documentaries. Their motion picture film cameras were always produced as "cat-on-the-shoulder", - a small, light, quiet motion picture camera. After several initial prototypes, the Aaton LTR 16 mm camera became available on the market in the late 1970s. It has been succeeded by several improved models, including the LTR, LTR 54, XTR, X0, XTRplus, and XTRProd. The last available 16mm film camera was the A-Minima, a specialized small 16mm camera with a 200ft load.
From a post point of view 'Aatoncode' was one of the earliest schemes for encoding a timecode signal in the frame margins of 16mm film, allowing rigorous synchronization of audio and film in post-production. This timecode of film proved key in improving film workflows in TVC and film and spread to KeyCode and other areas.
Aaton's contribution to the new wave of first French and then American Cinema can not be underestimated.
The cameras were small flexible and very versatile allowing French directors such as Jean-Luc Godard to produce powerful independent films in the 70s and 80s.
The French company may have been - some may say 'quirky' at times, but their legacy is huge.
The company was not limited to 16mm it also made very successful 35mm cameras such as the Penelope. Aaton introduced the original Aaton Penelope as a field switchable 2 perf / 3 perf 35mm camera. Originally the idea was to make a 35mm motion picture film camera that would have a digital magazine that could convert the camera into a digital cinema camera by simply switching the film magazine for a digital one.
"While Aaton shipped nearly one hundred of the film variants of Penelope, they decided to change direction and instead of making the digital magazine, build a fully digital camera from the ground up" commented John Brawley on his blog. (johnbrawley)
More recently they developed the Digital Delta camera which had one of the first optical viewfindesr for a digital camera and worked with an internal SSD recorder (DeltaPack*) for full resolution CineDNG ucompressed RAW, and editorial-ready proxies.
True to the original vision the digital camera was lightweight: 7.5 kilos with internal recorder and still worked with a " Cat on the Shoulder" profile. The camera has a ground-glass viewfinder and a rotating mirror shutter to avoid rolling shutter artifacts.
In recent times the company had struggled against both the small innovative RED cameras and the traditional powerhouse of German rival Arri with the Alexa.
Even with the current problems the company is much admired and fondly remembered for its incredible contribution to cinema.
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