The 8th Annual VES Awards were held tonight, Sunday, February 28th at the Hyatt Regency Century Plaza Hotel in Beverly Hills, California.
James Cameron was honored with the VES Lifetime Achievement Award and Ed Catmull with the George Melies Award for Pioneering. Avatar took a lot of awards with District 9 besting it in one category.
The awards will televised by the Reelz Channel (DirecTV channel 238, Dish 299 and other Cable Systems) Friday March 5th at 10pm Pacific and March 6th at 7pm Pacific.
Full list of winners follows along with a link to some photos…
Here is the list of winners:
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture
AVATAR
Richard Baneham, Animation Supervisor
Joyce Cox, VFX Producer
Joe Letteri, Senior Visual Effects Supervisor
Eileen Moran, Overall VFX Producer
Outstanding Supporting Visual Effects in a Feature Motion Picture
SHERLOCK HOLMES
Dan Barrow, VFX Producer
Jonathan Fawkner, VFX Supervisor
Chas Jarrett, VFX Supervisor
David Vickery, VFX Supervisor
Outstanding Animation in an Animated Feature Motion Picture
UP
Gary Bruins, Effects Supervisor
Pete Docter, Director
Steve May, Supervising Technical Director
Jonas Rivera, Producer
Outstanding Visual Effects in a Broadcast Miniseries, Movie or a Special
DISNEY PREP AND LANDING – Gadgets, Globes, and other Garish Gizmos
David Hutchins, EFX Animator
Scott Kersavage, VFX Supervisor
Dorothy McKim, VFX Producer
Kee Suong, EFX Animator
Outstanding Visual Effects in a Broadcast Series
BATTLESTAR GALACTICA SEASON 4 – Ep. 421 “Daybreak”
Michael Gibson, VFX Producer
Gary Hutzel, VFX Supervisor
Dave Morton, CGI Artist
Jesse Toves, CGI Artist
Outstanding Supporting Visual Effects in a Broadcast Program
CSI CRIME SCENE INVESTIGATION – Ep. 1001 “Opening Sequence”
Sabrina Arnold, VFX Producer
Steve Meyer, Compositor
Rik Shorten, VFX Supervisor
Derek Smith, Compositor
Best Single Visual Effect of the Year
AVATAR – Neyteri Drinking
Thelvin Cabezas, Lighting Technical Director
Joyce Cox, VFX Producer
Joe Letteri, Senior Visual Effects Supervisor
Eileen Moran, Overall VFX Producer
Outstanding Visual Effects in a Commercial
AUDI – Intelligently Combined
Jay Barton, Visual Effects Supervisor
Rafael F. Colon, Sr. Compositor
Chris Fieldhouse, Visual Effects Producer
Ronald Herbst, CG Supervisor
Outstanding Visual Effects in a Special Venue Project
DANCE OF THE DRAGONS – Eastern
Derry Frost, VFX Supervisor
Michael Morreale, VFX Producer
Outstanding Real Time Visuals in a Video Game
CALL OF DUTY: MODERN WARFARE 2 – Gulag Extraction
Robert Gaines, Lead Visual Effects Artist
David Johnson, Visual Effects Artist
Richard Kriegler, Art Director
Mark Rubin, Producer
Outstanding Visual Effects in a Video Game Trailer
HALO 3: ODST – The Life
Ryan Meredith, VFX Producer
Robert Moggach, VFX Supervisor
Michael Pardee, Executive Producer
Jens Zalzala, CG Supervisor
Outstanding Animated Character in a Live Action Feature Motion Picture
AVATAR – Neytiri
Andrew R. Jones, Animation Director
Joe Letteri, Senior Visual Effects Supervisor
Zoe Saldana, Actress
Jeff Unay, Facial Lead
Outstanding Animated Character in an Animated Feature Motion Picture
UP – Carl – “No Dad Scene”
Ed Asner, Voice of Carl
Carmen Ngai, Character Cloth Artist
Brian Tindall, Character Modeling and Articulation Artist
Ron Zorman, Animator
Outstanding Animated Character in a Broadcast Program or Commercial
AMF – The Caterpillar
Steve Beck, Lead Character Animator
Jamie O’Hara, Lead Character Modeller
Becky Porter, Lead Compositor
Robert Sethi, Lead CG Artist
Outstanding Effects Animation in an Animated Feature Motion Picture
UP
Alexis Angelidis, Effects Artist
Eric Froemling, Effects Artist
Jason Johnston, Effects Artist
Jon Reisch, Effects Artist
Outstanding Matte Paintings in a Feature Motion Picture
AVATAR – Pandora
Jean-Luc Azzis, Senior Compositor
Peter Baustaedter, Senior Matte Painter
Brenton Cottman, Lead Matte Painter
Yvonne Muinde, Lead Matte Painter
Outstanding Matte Paintings in a Broadcast Program or Commercial
KAISER PERMANENTE – Emerald City
Kim Taylor, Matte Painter
Ben Walker, Matte Painter
Ben Walsh, Matte Painter
David Woodland, Matte Painter
Outstanding Models and Miniatures in a Feature Motion Picture
AVATAR – Samson/Home Tree / Floating Mountains / Ampsuit
Simon Cheung, Modeller
Paul Jenness, Lead Modeller
John Stevenson-Galvin, Senior Modeller
Rainer Zoettl, Senior/Lead Modeller
Outstanding Created Environment in a Feature Motion Picture
AVATAR – Jungle / Biolume
Shadi Almassizadeh, CG Supervisor
Jessica Cowley, Senior Texture Painter
Dan Cox, CG Supervisor
Ula Rademeyer, Lead Texture Painter
Eric Saindon, Visual Effects Supervisor
Outstanding Created Environment in a Broadcast Program or Commercial
V – Pilot “Atrium and Ship Interiors”
Trevor Adams, CG Artist
Chris Irving, Lead Compositor
David Morton, Matte Painter
Chris Zapara, VFX Supervisor
Outstanding Compositing in a Feature Motion Picture
DISTRICT 9
Janeen Elliott, Senior Compositor
Simon Hughes, Senior Compositor
Hamish Schumacher, Lead Compositor
Shervin Shogian, Compositing Supervisor
Outstanding Compositing in a Broadcast Program or Commercial
CSI CRIME SCENE INVESTIGATION – Ep 1001 Opening Sequence
Steve Meyer, VFX Supervisor
Derek Smith, Compositor
Christina Spring, Compositor
Zach Zaubi, Compositor
Outstanding Visual Effects in a Student Project
THEY WILL COME TO TOWN
Thilo Ewers
Social comments and analytics for this post…
This post was mentioned on Twitter by vfxblog: fxguide’s round up of the VES Award Winners http://bit.ly/deIY9p…
Jeff, thanks for covering this event so well.
So I’ll ask the question to get things stirred up I guess. Does anyone else think that in the future, the Animated Character Category needs to be in a separate category from motion capture performance? Not to take anything away from the brilliant artistry and talent we all saw last night. And I realize there is always a heck of a lot of work that goes into massaging a motion capture performance which deserves recognition. Or we call it Digital Character and however it’s created doesn’t matter which might be ok too.
Thoughts?
-david
Thanks for the article, btw cool pic and nice flares 😀
All’s fine and well but can someone explain how in the world District 9 won Outstanding Compositing in a Feature Motion Picture???
Simply because there was a ton of fantastic compositing work done for District 9. Check out fxguidetv #71 for just a few samples. Sometimes the best compositing is the least obvious..that’s why it’s good compositing…so good you didn’t even notice it. 😉
Did James Cameron address the letter re:VFX artists?
No he did not.
Disappointing.