This week’s fxguidetv continues our “Masters of the Craft” series with a conversation with vfx legend John Dkystra. He sits down with Mike Seymour and chats about how he got started in the industry, the building of motion control systems, working on the first Star Wars movie, and how the digital age compares to the […]

fxguidetv episode #40 is now available. We continue our “Masters of the Craft” series with a conversation with ILM vfx supervisor John Knoll. He covers his early days at ILM, the creation of Photoshop and Knoll Light Factory, and more….it’s a fun conversation outside of his usual work on films. The end of the episode […]

The 2nd installation of the Visual Amalgam Art Show was an enormous success, with an estimated eight hundred people attending the event at Bergamot Station in Santa Monica. The semi-annual event features the personal artwork of film industry and visual effects professionals. Show organizers and artists, Patrick Finley and Evan Jacobs, were thrilled with the […]

Visual Amalgam Art Show offers the public a rare opportunity to see personal artwork created by visual effects professionals behind some of the biggest motion pictures at one of the premier art venues in the Los Angeles area. Patrick Finley, a successful painter and visual effects artist for motion pictures, conceived the first Visual Amalgam […]

Well, RED said their specs were subject to change and not a week after saying RED would also be going into the DSLR camera market with their own video, stills hybrid, the company pulled photos of the Scarlet $3,000, 3K camera off its web site and said the camera is being fully rethought and redesigned. […]

Autodesk released a Stereoscopic Filmmaking Whitepaper delivering a comprehensive understanding of the state of the industry and its current barriers. The whitepaper provides valuable knowledge for anyone curious about the future of Stereo 3D (S3D) and highlights current industry challenges from technical production complexities to studio considerations and theatrical acceptance. While the industry faces numerous […]

In our second fxguidetv episode from Amsterdam and IBC 2008 we get a look at the soon to be released Ocula plug-in from The Foundry for problem solving Stereoscopic images. Also a preview of what’s new in Fusion 6 and Generation from Eyeon. To be notified automatically and have the episodes downloaded in iTunes, subscribe […]

Thomson announced that it is selling the Thomson Grass Valley equipment business to private investors led by PARTER Capital Group, a German private equity advisory firm. The sale includes the Spirit film scanning family, together with the Bones digital intermediate workflow tools and LUTher, a colour space management product. Financial terms of the sale are […]

On the way to Amsterdam John Montgomery stopped in Montreal to get an exclusive and in depth look at the latest releases for Flame and Smoke. Philippe Soeiro from Autodesk takes us through some of the exciting new features including 3D Particle presets, the transition to floating point workflow, real time deliverables and more. To […]

After many years of rumor and possible projects, ILM is going to make a full animated feature film called Rango for director Gore Verbinski Variety is reporting. ILM of course worked with Verbinski on Pirates of the Caribbean and like that film the new animated film will star the voice and capture motion of Johnny […]

The new Red Centre #14 is out. This week we discuss the RED DLSR and start a series looking at Red Post gear – starting with Assimilate Scratch. Visit our red centre page to listen or subscribe via RSS or iTunes. As always we’d love to hear from you please email us at Red at […]

When Fox Sports On-Air team decided to unveil a new HD Identity they wanted to create something that would feel entirely new, unique and special. Their new ID needed to showcase the featured sports Fox broadcasts (the NFL, MLB, and NASCAR) and do so in a way that would illustrate the power of watching sports […]

Brideshead Revisited,” Miramax Films’ recently released feature adaptation of Evelyn Waugh’s novel, is peppered with seamless invisible visual effects created by CIS London. Working closely with the film’s director, Julian Jarrold, visual effects supervisor Adam Gascoyne oversaw the challenging subtleties that were essential in bringing Jarrold’s version of the classic story to life. fxguide spoke […]

A new episode of fxguidetv is up today, with more from last week’s SIGGRAPH conference in Los Angeles. Motion capture seemed to take center stage on the exhibition floor this year, and we cover it from two angles. First, Jeff Heusser visits House of Moves in Los Angeles to see real-world applications of motion tracking […]