We speak with the on-set vfx supervisor of The Deaths of Ian, Dennis Michelson.

We chat with Luc Robert, co-founder of REALVIZ, about their recent release of Stitcher Unlimited DS.

The first-ever Australian Film Institute awarded its first-ever Visual Effects Award to Rose Draper and Mike Seymour for their work on Hunt Angels. Seymour and Draper talk about their work on the film.

Mike Seymour talks with artists involved with the creation of a yellow pages tv commercial done at xyz studios.

Andreas Wacker and Angus Wall discuss techniques developed for the first major motion picture produced without using compressed tape formats or film.

Podcast recapping IBC 2006, including sound bites from Ted Schilowitz and Graeme Natress of RED and Grant Petty of Blackmagic Design.

We speak with Alex Wuttke and Jody Johnson from Double Negative about the 3D and 2D approaches and solutions to the film.

We speak to Erik Rogers at Company 3 in Los Angeles about their use of DaVinci color correctors for transferring and DI.

We speak with Dan Tatu of CHROME Imaging about their MATRIX compositing product, which provides color grading, compositing, painting, and more

In this week’s podcast we take a look at our sister site fxphd.com, which provides online training for vfx artists.

We speak with Pete Bebb, CG Supervisor, and Ryan Cook, Dynamics Supervisor, about Double Negative’s work on the film.

PFTrack, already established as a great 3D tracker, moved to provide a new level of functionality when it provided added object tracking in version 3.0. Now with version 3.5 this is refined even further. With Version 3.5 is due out soon, fxguide sat down with Richard Spöhrer Managing Director of PixelFarm to discuss the product in this week’s podcast.

Superman Returns thanks to director Bryan Singer, Visual Effects Supervisor Mark Stetson, and a large number of visual effects artists around the globe who worked to make the man of steel fly, see through walls, repel bullets and save the world. We cover this summer blockbuster in our one-year anniversary fxpodcast as well as in detail with our online story.

Dion Scoppettuolo, Senior Product Marketing Manager for Apple’s Shake, talks about the rumours and reality regarding the recent Shake announcement.

We chat with Mike Pryor, Head of Digital Production, about The Deaths of Ian.

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A conversation with Evan Jacobs about the visual effects done by Mr. X for the feature filme Silent Hill.

A look at some of the visual effects behind the blockbuster ‘Poseidon’ movie.

Following up from last week’s very successful podcasts is the rest of the interview with Red Camera’s Ted Schilowitz – so called Leader of the Rebellion.

In our final podcast from NAB, we explore some of the less obvious gems of the show and discuss the relevance of NAB as an event.

Roundtable and interviews covering: The Red Camera, Apple developments and SDK DVD produced by fxphd, Plug-ins, Filmlight, Gum…

Coverage of the annual Autodesk user group meeting and information about our new sister site, fxphd.

Mike Seymour covers the ins and outs of digital grading with colourist Warren Lynch.

We speak with Jake Parker and Michael Ruzicka about their presentations at the flame and smoke master classes being held at NAB this year.

We speak with Teresa Hall of Muse recruitment about how vfx artists can best present themselves to prospective employers.

A conversation with Stu Maschwitz of the Orphanage about using a 32-bit linear color workflow in AE. Maschwitz has been an evangelist for using After Effects for high end projects.

A conversation with Alp Altiner.

Mike Seymour talks with Dr. Bill Collis, Head of Research at the London-based Founrdy. The Foundry develop the Furnace, Keylight, Tinder, and Anvil plugins.

We talk with Steve Kilisky and David Simons of Adobe about the recent release of After Effects 7.

Examining the art and beauty of matte painting with senior matte painter Wayne Hagg