Puss in Boots: color grading in stereo

Puss in Boots colorist Jeff Olm discusses working on the animated film for Dreamworks Animation, in this fxinsider podcast.

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fxfeatured

SIGGRAPH Asia preview: extinction transmittance maps

In this audio podcast, we talk to Pascal Gautron from Technicolor Research & Innovation about a SIGGRAPH Asia technical sketch on Extinction Transmittance Maps.

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quicktakes

Mo-capping penguins, and krill, for Happy Feet Two

In this video from our media partners at The Daily, the motion capture supervisors discuss their work on Happy Feet Two.

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quicktakes

fxpodcast: Rob Legato – Hugo

VFX sup. Rob Legato joins us for a discussion of the visual effects in Martin Scorsese’s Hugo.

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fxpodcasts

Hugo: a study of modern inventive visual effects

We delve into the extraordinary stereoscopic visual effects work in Martin Scorsese’s latest film, Hugo.

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fxfeatured

Breaking Dawn: making wolves

In this special fxinsider only podcast, we visit Tippett Studio to discuss their digital wolves for Breaking Dawn – Pt 1.

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fxfeatured

Digital District’s UK MVA noms

We talk to French vfx studio Digital District about two music vids they worked on that were finalists at the UK music video awards.

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quicktakes

the rc #102: Shane Hurlbut ASC

This week the guys talk film looks, Miro and in the Red Room, DOP Shane Hurlburt ASC.

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therc

J. Edgar’s motorcades and marching bands

Method Studios discuss their invisible virtual environment and crowd effects for Clint Eastwood’s biopic ‘J. Edgar’. Updated with before and after pics.

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fxfeatured

The Muppets: It’s time to raise the curtain

We go behind the scenes with Look Effects VFX supe. Max Ivins on The Muppets.

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fxfeatured

the vfx show #137: Anonymous

Mike Seymour, Matt Leonard and Mark Christiansen discuss the visual effects and cinematic experience of Rolland Emmerich’s new film, Anonymous.

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thevfxshow

For Example: The Mill LA’s Tim Davies and Flame

In the first of our new ‘For Example’ series, lead 2D artist Tim Davies from The Mill LA talks about how he uses Autodesk’s Flame and what tools he uses, for example, in his daily work.

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fxfeatured

How to crash a train: Super 8

In this video from our media partners at The Daily, ILM VFX supe Dennis Muren and animation supe Paul Kavanagh break down Super 8’s amazing train crash.

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quicktakes

the rc #101: The Alexa Ep: It’s all about story

This week we focus on story, shot design and focus on the Arri Alexa. In this special episode we have two Red Room interviews: Anna Foerster DOP of Anonymous and Gareth Neame about Downton Abbey.

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therc

Killer visuals: Tippett’s God speed fx for Immortals

We go in-depth with Tippett Studio on their Gods vs Titans vfx for Immortals.

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fxfeatured

Immortals: Q&A with VFX sup. Raymond Gieringer

Immortals VFX supervisor Raymond Gieringer discusses the planning, on-set InterSense and live-viz systems for the visual effects in Tarsem Singh’s film.

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fxfeatured

View from the penthouse: Tower Heist

Effects supes from Method, Phosphene and Gravity discuss their visual effects work on ‘Tower Heist’.

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fxfeatured

IATSE… One Year Later

One year ago the International Alliance of Theatrical Stage Employees announced their intention to organize visual effects artists. What is the status of this effort, what has happened in the past year?

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quicktakes
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