S4C
We are rarely presented with something truly new and inventive, but the work of Minivegas is really worthy of the term ‘groundbreaking’. For client S4C they have created a set of promos that automatically animates in realtime to the exact pitch of the presenter’s voice. Every day each promo is unique. This fully automated solution is both technically and creatively impressive, and also often a load of laughs.
Readred centre #001
The premiere of fxguide’s new podcast covering the latest on the RED camera.
ReadMPC to open in LA
MPC plans to open a Santa Monica-based visual effects facility in late 2008. MPC LA will initially focus on the U.S. commercials VFX market, and it will also provide a front-end presence to MPC’s Los Angeles-based studios features VFX business. MPC LA is to be headed by VFX executive producer Mark Tobin. Tobin was most […]
ReadThe final fxpodcast
New directions for the crew at fxguide. Mike Seymour, Jeff Heusser and John Montgomery discuss life beyond fxguide.
ReadLocal Hero Post: Indie DI Heros
Owner Leandro Marini discusses the approach Local Hero has taken in providing a DI solution for the indie filmmaker, offering high quality at prices in line with their budgets.
ReadIndie DI Heroes
DI is a process often reserved for the top films involving days of film scanning and large budgets. Local Hero Post is focused on providing a DI solution for the independent filmmaker, offering high quality at prices more in line with the budget of an Indie film. In this week’s fxpodcast, we discuss with owner Leandro Marini the approach Local Hero has taken to make this possible.
ReadImagineer Mogul Pre-NAB Podcast
Imagineer Systems is getting out ahead of the NAB PR rush by announcing that they will be talking with customers at NAB about their new compositing system “Mogul”, described as “a new vision for the visual effects industry: a new approach, a new workflow, a new architecture.” John Montgomery takes you direct to the source […]
ReadWhat’s Up with Imagineer’s Mogul?
We speak with Imagineer founder and CEO Allan Jaenicke about their new mogul vfx product line, to be introduced at NAB and rolled out over the next 18 months.
Readthe vfx show #36: 10,000 BC
Mike Seymour and Mark Christiansen discuss the visual effects in 10,000 BC.
ReadTim Baier on Stereoscopic 3D
Mike Seymour chats with Tim Baier, a vfx supervisor and 3D researcher who now specializes in 3D stereo productions, about the history, technology and trends in the field.
ReadArt of Digital 3D Stereoscopic Film
From U2 to Hanna Montana. From Beowulf to Journey to the Center of the Earth. 3D is hot once again. One of the strongest trends in visual effects films today is stereoscopic capture, post production and projection. Technology is catching up just when theatre owners are looking for ways to hold and appeal to a media saturated audience. We explore the theory and practice of digital 3D stereo imaging.
Readfxguidetv Episode #23 is Live: RED Workflow, Part 2
A new episode of fxguidetv is available for download. It is part two of our special look at using RED footage in post production. We’ve been shooting a ton of RED footage since receiving our camera last year, working through the various ways to efficiently get from R3D to other formats which can be used […]
ReadThe Mill for Coke: Super Bowl Revisited
In a broadcast filled of commercials with talking animals, dancing animals, and even animals with a point to prove, the Coke spot “It’s Mine” stood out from the crowd. We speak with The Mill’s creative director Angus Kneale and Senior CG artist Ben Smith about the work that went into making one of the most popular spots from the big show.
ReadGenArts Releases Sapphire for Apple FxPlug Products
Sapphire Sparks have long been a favorite on flame and smoke systems and over the years have grown in popularity on other platforms such as After Effects and Avid. The plugins have now made the leap to Apple products such as Final Cut Pro and Motion which support the FxPlug architecture. Click through to read […]
ReadPulling the Wool Over: MPC circa 10,000BC
10,000 BC by director Roland Emmerich takes audiences to a time when mighty mammoths shook the earth. In this in-depth article we examine just one part of this blockbuster film and drill down on complex task of producing photorealistic mammoths that, while not the heros of the film, certainly gave the film power, gravitas and some ripping good thrills.
Readthe vfx show #35: Jumper
Mike Seymour and David Stripinis discuss the visual effects in Jumper.
ReadThe Kingdom: the Agency, the Effects, the Titles
One of our favourite films of 2007 was The Kingdom. If you missed it – rent it. Peter Berg’s film is a powerful action drama based around a criminal investigation shared by two cultures chasing deadly terrorists before they are ready to strike again. We explore the seamless visual effects delivered by Rhythm & Hues and explore the amazing opening titles which both inform and set the tone for the entire film from the PIC Agency.
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