VFX on TV: Rock monsters, pirate ships and a cyclops
Showcasing VFX from the TV shows Constantine, Atlantis and Crossbones.
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BAFTA Nominations
Nominations have been announced for the EE British Academy Film Awards in 2015.
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fxpodcast #287: Agent Carter vfx supe Sheena Duggal
We speak to Agent Carter visual effects supervisor Sheena Duggal about realizing the Marvel show’s VFX.
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Into the Woods: full of effects surprises
Visual effects supervisor Matt Johnson discusses Into the Woods’ effects from beanstalks, to miniature forests, giants, transforming dresses and drone shoots.
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the rc #146 Happy Holidays !
This month, Mike and Jason look at how the year ended and what gear they personally like, and look ahead to what might happen in 2015.
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Alive again: Night at the Museum: Secret of the Tomb
Behind the scenes with vfx breakdowns from the latest Night at the Museum film.
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Five big scenes from Exodus
Breakdowns from five shots and sequences in Ridley Scott’s biblical epic Exodus: Gods and Kings.
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Exploring Black Sea
Breaking down the effects in the Kevin Macdonald submarine film Black Sea.
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Commercial break(down)
With special making of breakdown videos, we take a look at visual effects work in TVCs with alt.vfx, Method Studios and Mirada.
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Paddington: an animation Q&A
Framestore animation supervisor Pablo Grillo delves into the art of animation behind Paddington.
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fxpodcast #286: Paul Franklin on Interstellar
Interstellar visual effects supervisor Paul Franklin discusses the science, technology and art behind the incredible Christopher Nolan film.
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MARI and MODO for everyone
The Foundry is releasing ‘indie’ versions of MARI and MODO today on Steam.
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Zooming in on Assassin’s Creed: Unity
How Blur Studio’s hordes of assassins took over Paris in this incredible TV spot, and what extra scripting work was required for an online interactive version.
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Shotgun at Autodesk: the state of play
It’s been almost six months since Autodesk acquired Shotgun – so how have things gone so far?
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87th Oscars – the ten VFX contenders
Find out which 10 films are in contention for the visual effects Oscar.
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Real and raw: the miniature fx behind Interstellar
Salt, pelican cases and single-pass motion control – how New Deal Studios crafted the spacecraft miniature shots in Interstellar.
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Digital Vision purchased by management team
Color grading, restoration and film scanning product provider Digital Vision has been bought out by its management team.
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A way forward for the VFX industry
The problems facing the vfx industry are serious and complex, we present a new model for discussion based on the work of some very serious players.
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