VES commercials: crowds and cars by Framestore
Two of the commercials up for nomination tonight at the VES Awards are by Framestore. We take a look at Pepsi’s ‘Crowd Surfing’, featuring some unique crowd animation, and the Nissan Altima ‘Wouldn’t it be cool?’ spot which deconstructs a car.
ReadThe best of the Super Bowl spots – part 2
Our second Super Bowl XLVII article goes Gangnam Style with Mirada’s Wonderful Pistachios VFX, Method’s Kia hotbots and more from The Mill.
Readthe rc #124: New gear and Lincoln DOP Janusz Kaminski
This week, Jason and Mike discuss sliders, mics, cameras, and other new gear. In the Red Room, Mike chats with Oscar-nominated Lincoln DOP Janusz Kaminski, and also DOP and fxphd prof Ben Allan about the resurgence of light meters.
ReadSci-Tech Oscars: technical coolness
fxguide goes in-depth with three of this year’s SciTech winning technologies: wavelet turbulence, pose space deformation and PDI/DreamWorks’ Light tool.
ReadVES commercials: Nike Biomorph
We talk to Digital Domain visual effects supervisor Aladino Debert about ‘Biomorph’, a promo spot for Nike’s Flyknit tech that is nominated for a VES Award for both Outstanding Visual Effects in a Commercial and Outstanding FX and Simulation Animation in a Commercial or Broadcast Program.
ReadRhythm & Hues reportedly receives $20m cash injection
Industry website The Wrap is reporting that visual effects studio Rhythm & Hues is to receive an ’emergency $20 million capital infusion from three major Hollywood studios in order to keep its doors open through April’, citing three sources with knowledge of the situation.
ReadThe best of the Super Bowl spots – part 1
Part 1 of fxguide’s look behind the scenes of the Super Bowl ads looks at work by Method Studios, MPC and The Mill. UPDATED with the Space Babies making of.
Readfxpodcast #242: VFX legend Bill Taylor
This week, we talk to visual effects supervisor, director of photography and Illusion Arts founder Bill Taylor, who has been voted the John A. Bonner Medal of Commendation by the Board of Governors of the Academy of Motion Picture Arts and Sciences.
ReadPrime Focus London commercials div to go into administration
Prime Focus London’s Commercials division is to be placed into administration, according to a ‘Company Update’ regulatory story posted on the London Stock Exchange’s website, and on Prime Focus London PLC’s corporate site.
ReadNew Silhouette v5 Released
We don’t normally publish press releases at fxguide, but the new version of Silhouette V5 deserves a callout. New features like Imagineer-licensed planar tracking, IK rotoscoping, and new shape-baed morphing make this a major release. Click through for full details…
ReadThe inside story behind Disney’s Paperman
How 2D and 3D animation styles were merged in the wonderful Oscar-nominated short film Paperman.
ReadA new wave of brilliant invisible effects
A breakdown of face replacements in Chasing Mavericks, house extensions in Hyde Park on Hudson, CG traffic in Banshee and conjoined twins from Maattrraan.
Readthe vfx show #162: 2013 Oscar Preview Show
Mike Seymour, Todd Vaziri and Matt Wallin discuss the five 2013 Academy Award nominated films in the VFX category and Todd Vaziri’s VFX Predictinator!
Readfxpodcast #241: Sci-tech winner: Mocha
We speak to Imagineer Systems CEO John-Paul Smith about the development of the amazing tracking / roto software mocha. John-Paul and his colleagues will be awarded a Scientific & Engineering Award at the upcoming Sci-Tech Oscars.
ReadVES Announces the 2013 Board of Directors
The Visual Effects Society announced the 2013 Board of Directors, including the continuation of Jeffrey A. Okun as Chair…
ReadModels and miniatures: a celebration. Special VES coverage
Behind the scenes of the ‘Outstanding Models’ VES Award nominees, plus an fxinsider bonus interview with New Deal Studios on their miniature effects for The Dark Knight Rises.
ReadOctane Render: realtime ray tracing
OTOY has released their Octane high end GPU ray tracing renderer – with farm offline and LIVE rendering about to go into beta. If you want a glimpse into one future for very high end gaming, look at what Octane is doing today.
ReadWorking in zero light for Zero Dark Thirty: VFX making of
EXCLUSIVE: How Image Engine dealt with explosions, stealth helicopters and almost ‘zero light’ for the Oscar-nominated ‘Zero Dark Thirty’. Updated with VFX breakapart videos.
Read