Visual Effects Society Winners of 10th Annual VES Awards

February 8, 2012

The Visual Effects Society (VES) announced the winners of its 10th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. Complete list and photos follow.

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Red Tails: Pixomondo wrecks planes and trains

February 8, 2012

Pixomondo VFX supe Bjørn Mayer breaks down his studio’s key shots for Red Tails.

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Breaking down the Super Bowl spots – Part 1

February 6, 2012

Our Super Bowl XLVI coverage starts with a post-apocalyptic Chevy spot and CG cheetah work for Hyundai.

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Luma transforms Underworld: Awakening

February 3, 2012

How Luma Pictures used mo-cap, Light Stage and Arnold to bring the Underworld: Awakening Lycans to life.

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New source for 3D displacement textures

February 2, 2012

Surface Mimic makes 3D scanned depth maps for digital sculpting, allowing artists to brush high-res details onto models with industry software such as ZBrush, Mudbox, Mari and 3D-Coat. We speak to founder Paul Callender.

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Behind the scenes with the animated Oscar noms

February 1, 2012

fxguide takes a look at the animated features and animated shorts nominated for the 84th Academy Awards.

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Award submissions made easy

January 30, 2012

With only one day to go until on-line voting closes for the 10th Annual VES Awards, we thought we’d take a look at one of the companies who helped make the awards possible on a global scale – Sohonet.

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Alive and animated: how DD created ‘Robotarm’

January 27, 2012

We talk to DD VFX sup. Aladino Debert about the challenges of completing a Cisco spot in a tight four week schedule.

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A Game of Shadows: more to the mystery

January 26, 2012

We explore the key visual effects shots from Framestore and MPC in Sherlock Holmes: A Game of Shadows.

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Hugo garners 11 Oscar noms – here’s why

January 25, 2012

Martin Scorsese’s Hugo received the lion’s share of Oscar nominations this year – we check out Pixomondo’s breakdowns of their VFX work.

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Oscar Nominations Announced

January 24, 2012

This morning The Academy of Motion Picture Arts and Sciences announced the nominees for the 84th Academy Awards®. In the category Achievement in Visual Effects, the nominees are…

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Now you can RenderMan on Demand

January 22, 2012

Pixar has now formally announced RenderMan on Demand, a new cloud based rendering service that was developed in collaboration with GreenButton.

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Brainstorming more VFX on Boardwalk Empire

January 22, 2012

Brainstorm Digital tells us about their VES Awards-nominated work for the second series of Boardwalk Empire.

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32Ten Studios – mixing it up

January 20, 2012

We talk to Scott Smith about the advent of the new practical and digital FX studio 32Ten created by former ILM and Kerner Optical employees.

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Open Beta for HIERO begins

January 17, 2012

The Foundry has moved it’s new workflow/conform tool HIERO to it’s next phase, announcing an open beta. Release date and pricing was also announced.

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BAFTA Film Awards Nominations

January 17, 2012

Nominees have been announced for the Orange British Academy Film Awards. We have the list for Special Visual Effects and Cinematography.

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Digital storytelling: The Girl with the Dragon Tattoo

January 16, 2012

Blur, Method and Digital Domain explain their titles and VFX work on David Fincher’s ‘The Girl with the Dragon Tattoo’.

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Godfrey Pye R.I.P.

January 15, 2012

Godfrey Pye passsed away in LA at 68. He was a giant in our industry. Speaking for myself, even in Australia, as I worked hard in TVC post and VFX in the 80s and 90s, Godfrey was a legend in the industry worldwide, – but for my business partner Jeff Heusser – he was a […]

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MutantLand: from the mind of Phil Tippett

January 12, 2012

Visual effects supervisor and director Phil Tippett, and his team, talk to fxguide about their short film ‘MutantLand’.

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Driving the projection mapping revolution

January 12, 2012

We talk to Drive Productions CEO Ben Fender about their London Millbank Tower building projections for Nokia Lumia.

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For Example: Vue and Whiskytree

January 11, 2012

Whiskytree discuss how they use Vue in their pipeline for digital environments, as part of our ‘For Example’ series.

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Kodak: innovative restructuring

January 10, 2012

We take a quick look at Kodak’s restructuring in light of rumors of a possible Chapter 11 bankruptcy filing. UPDATED: Kodak has now filed for bankruptcy protection.

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Lightroom 4 reads and (sort of) grades EPIC r3d clips

January 10, 2012

Adobe today released Lightroom 4 as a public beta, and we stumbled upon it opening (and sort of grading) EPIC r3d files.

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BAFTA longlist – VFX and animated films

January 9, 2012

Here’s the longlist of BAFTA nominations for the visual effects and animated film categories.

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VES 2012 nominees announced

January 9, 2012

The nominees for the 10th Annual VES Awards are….

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Nikon D4 : Nikon welcome (back) to the game

January 9, 2012

Nikon comes back to the DSLR Video race. Is the D4 the 5DMK III Canon has yet to release? Or is it too little too late to catch up to the much larger and now film-maker committed Canon? The D4 scheduled for next month (Feb Shipping) offers a lot of features that you might hope […]

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The Mill makes Audi hum

January 5, 2012

We talk to The Mill’s visual effects team about their VES-nominated Audi A6 Avant ‘Hummingbird’ spot.

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10 in running for VFX Oscar

January 4, 2012

Check out the list of ten films in contention for this year’s visual effects Oscar, and how fxguide has covered them.

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2011’s Best VFX TV Spots

December 28, 2011

We take a look at the top visual effects work as seen in TVCs from 2011. (Especially as we hope be looking at more in 2012 😉

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Skywalker Sound and ‘War Horse’

December 27, 2011

Skywalker Sound’s Gary Rydstrom discusses the sound design for Steven Spielberg’s ‘War Horse’.

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