How 2D and 3D animation styles were merged in the wonderful Oscar-nominated short film Paperman.

OTOY has released their Octane high end GPU ray tracing renderer – with farm offline and LIVE rendering about to go into beta. If you want a glimpse into one future for very high end gaming, look at what Octane is doing today.

EXCLUSIVE: How Image Engine dealt with explosions, stealth helicopters and almost ‘zero light’ for the Oscar-nominated ‘Zero Dark Thirty’. Updated with VFX breakapart videos.

Behind the scenes of this fully-CG ‘evolution of flight’ Cineplex spot by Dashing Collective. Includes video breakdowns.

How director Tom Hooper overcame the challenges of bringing Les Miserables and its magical reality to the big screen.

A befores and afters breakdown of scenes from The Impossible, which tells the story of the 2004 Boxing Day tsunami.

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How the talented artists at Hive FX & Bent Image Lab create the morphing effects in the TV series Grimm.

As a new model for a cutting edge production, the production of Battlestar Galactica: Blood & Chrome is extremely interesting, both from a production/virtual production standpoint and distribution.

Behind the scenes of Norwegian film Kon-Tiki, which features water sims, environment work and sea creatures, including, yes…those…sharks (the best CG sharks we have seen).

Ubisoft Character Technical Director Kieran O’Sullivan recently spoke at a highly successful 3Dec Autodesk function – fxguide spoke to him afterwards about the technical workflow, character design and rigging for the cast of Far Cry 3.

Inside the ocean simulations and ship physics for Ubisoft’s new Assassin’s Creed III game, with amazing behind the scenes code testing and simulation clips.

How DreamWorks Animation used Houdini, cellular automata and other effects techniques on Rise of the Guardians.

We look at the RED camera use and DIT work on Hitchcock using Light Iron’s OUTPOST on set workflow.

Tippet Studio discusses the visual effects behind the final wolf and vampire battle in Breaking Dawn – Part 2.

We talk to Gradient Effects about the challenges of creating metal armour for a character in ‘The Man with the Iron Fists’. Includes vfx breakdown.

Learn about the invisible fx in The Bourne Legacy – the wolf, drone shots, Manilla chase and that motorcycle crash. Bourne Legacy is out on Blu-ray and DVD soon.

We talk to Walt Disney Animation Studios VFX supe Scott Kersavage about Wreck-It Ralph.