Matte Painting with Gerhard Mozsi
We speak with matte painter Gerhard Mozsi about his craft and his use of Adobe Photoshop to create both photoreal as well as concept art.
ReadThe Making of a Great Student Film
The ultimate student film might be Birthday Boy – Sejong Park’s film which earned an Oscar nomination last year and played at Annecy 2005. Park’s film was brilliant and it certainly pushed him onto the worldwide stage. But not everyone can get an Oscar nomination. Also at Annecy last year, a bunch of french students were invited to produce short films to be screened before each day of the festival. One such film was le Building. It is a g
ReadAE 7 Gets Hot with Furnace
fxguide has been working the Foundry regarding Furnace for some months – and this will result in an fxguide live event in LA, 2nd of March. The Foundry’s image processing tools are so hot, that they have just been incorporated into the new After Effects 7 as standard. Every copy of AE 7 ships with Kronos integrated into AE – we talk to the Foundry team, and invite you to see all of the foundry’s Furnace plugins running on MAC, PC, and Linux at a special te
ReadA Conversation with VES’s Eric Roth
In this week’s podcast we discuss credits, health, expansion and awards with Executive Director of the Visual Effects Society.
ReadVisual Effect Society’s Eric Roth
Discussion of credits, shows, awards, and the growing importance of the VES
ReadVfxblog.com joins forces with fxguide.com
It is rare the crew at fxguide is really impressed with another site, but we started to notice a site that consistently produced great stories blogging the VFX world: vfxblog.com Then we woke up one day and vfxblog had beaten us to a story on a film — a film which one of our own founders was a compositor on! We had to learn more – and this led to the site’s founder Ian Failes joining the fxguide team. We welcome him knowing he will continue to keep us o
ReadTemp Mort / Time Splice : The Latest Technology
Mark Ruff is a photographer who specialises in frozen moment multi-camera time splices. After many years with a film rig and then a digital rig, Mark has developed a near real-time system. It uses an array of digital cameras, each attached to an array of Mac Minis, feeding a master Mac G5. In seconds it produces a composited, stablized and deflickered effects sequence at full HD resolution (or up to 3K as required). We discuss the evolution of the rig and
ReadConversation with Mark Ruff
This week, we speak with Mark Ruff, a photographer who specialises in frozen moment multi-camera time splices. After many years with a film rig and then a digital rig, Mark has developed a near real-time system.
ReadWriting for Effects: Red Dwarf
As it is almost Christmas we figured we’d explore a different side of visual effects and talk to someone who creates the scripts and characters that we daily need to film and composite. We decided to talk to an entremely successful writer and producer. Doug Naylor is a funny guy, he writes funny comedy, but the business of writing for visual effects – especially for a tight budget, cult classic – with global appeal is a tough job. This week, Doug Naylor k
ReadWriting for Effects: Red Dwarf
As it is almost Christmas we figured we’d explore a different side of visual effects and talk to someone who creates the scripts and characters that we daily need to film and composite. We decided to talk to an entremely successful writer and producer. Doug Naylor is a funny guy, he writes funny comedy, but the business of writing for visual effects – especially for a tight budget, cult classic – with global appeal is a tough job. This week, Doug Naylor k
ReadMatte Painting Series Part 1 : Painting it BIG
GMC Big Dig is big – the carmakers vision, as well as the task laid at the feet of the filmmakers.
The spot was helmed by Space Programs Justin Klarenbeck, and completed by rhinofx in NYC. We spoke to Arman Matin, Creative Director/CG Director of rhinofx and not only do we review before and after shots, but we reprint the original pitch document for the visual effects – so you can judge for yourself how the team performed.
Doing Effects Backwards
noitulovE is an amazing rush – a visual effects spectacular. William Bartlett, Visual Effects supervisor and the animation team at Framestore/CFC headed by Andy Boyd did an outstanding job of showing the entire history of evolution, – in one spot… backwards. The story also includes exclusive ‘making of’ video ipod quicktime.
ReadNUKE in a state of FLUX
Nuke 4.5 in production. In this week’s podcast we talk to Jonathan Egstad, visual effects supervisor for the Paramount release “Aeon Flux” starring Charlize Theron. For our online story we chatted to Gary Meyer, Nuke Product Specialist about the details of the 4.5 release.
ReadNUKE in a state of FLUX
Nuke 4.5 in production. In this week’s podcast we talk to Jonathan Egstad, visual effects supervisor for the Paramount release “Aeon Flux” starring Charlize Theron. For our online story we chatted to Gary Meyer, Nuke Product Specialist about the details of the 4.5 release.
ReadOS X gets NUKED
In an interesting move, NUKE is released on Mac OS X.
The new 4.5 version of NUKE also includes impressive new tools such as a new Image Based Keyer, a more flexible 3D tool set and an improved workflow.
ReadKeeping Your Renders Clean
In this fxpodcast, we get an update on Toxik with product manager Chris Vienneau. He also talks about some of the image processing requirements, forming the basis of the 32-bit HDR pipeline. Our feature article examines image processing in compositing apps, with tips from our own experiences as well as from the manufacturers.
ReadChecking in With Toxik 1.1
In this week’s podcast, we check in for an update on Toxik with Autodesk’s Chris Vienneau, who is the product manager for the application.
ReadA Primatte Primer
We interview Scott Gross of IMAGICA Corporation of America, developers of the Primatte keying plug-in.
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