How the new X-Files stayed true to the spirit of the original
How the VFX for the new X-Files stayed within the realm of the classic TV show’s impressive legacy.
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A tribute to VFX supe Gary Hutzel
We remember VFX artist and supervisor Gary Hutzel, who died last week aged 60.
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VRscans from Chaos Group
Chaos finally offers a solution to “is it a blue and black or gold and white dress?” with their new VRScans.
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A game awakens, in LEGO form
Recently a teaser trailer burst onto the scene for the LEGO Force Awakens Video Game – fxguide finds out who was behind it and how it was made.
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Sky Q liquid life from The Mill
In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.
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Effects solutions: the making of Kung Fu Panda 3
Behind the scenes of Kung Fu Panda 3 – an in-depth look for fxinsider members.
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the vfx show #206: Deadpool
Mike Seymour, Jason Diamond and Matt Wallin get close-up with the merc with a mouth as they review the visual effects of Deadpool.
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DD: behind the dcenes: Deadpool’s Colossus – DesignFX
Our Exclusive WIRED DesignFX on the making of Deadpool’s Colossus .
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Mad Max: Fury Road special and visual effects roundtable
The Oscar-nominated Mad Max: Fury Road effects team recount some of the film’s biggest stunts and effect work.
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Deep inside Deadpool’s deadliest effects
How they pulled off Deadpool’s biggest scenes – from the freeway chase, to CG Colossus, animating Deadpool’s face and the frozen moment opening titles.
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Q&A: Deadpool director Tim Miller
Tim Miller recounts his journey from Blur to Deadpool in this special fxinsider interview.
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Force Awakens takes out VFX BAFTA
Awards season is in full swing, with the BAFTAs awarding The Force Awakens the top prize in VFX.
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Creating an alternate world: The Man in the High Castle
An exclusive look at Zoic Studio’s visual effects for The Man in the High Castle.
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Hollywood redux: the VFX of Hail, Caesar!
An in-depth look at the 50s-style effects used to bring the Coen brother’s Hail, Caesar! to the screen.
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Lumberyard: free is the new black
Lumberyard represents a significant shift in the way artists will be able to access game engines – and possibly for more than just game development.
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Anomalisa: hand-crafted visual effects
The stop-motion film Anomalisa is a masterpiece of hand-crafted animation, but you might be surprised how much visual effects work is involved to help tell the film’s tale.
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fxpodcast #299: Sci-Tech Awards – MARI
We talk to The Foundry’s Jack Greasley about the Sci-Tech Award for MARI to be awarded this year.
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