VFX on TV: Rock monsters, pirate ships and a cyclops
Showcasing VFX from the TV shows Constantine, Atlantis and Crossbones.
BAFTA Nominations
Nominations have been announced for the EE British Academy Film Awards in 2015.
fxpodcast #287: Agent Carter vfx supe Sheena Duggal
We speak to Agent Carter visual effects supervisor Sheena Duggal about realizing the Marvel show’s VFX.
Into the Woods: full of effects surprises
Visual effects supervisor Matt Johnson discusses Into the Woods’ effects from beanstalks, to miniature forests, giants, transforming dresses and drone shoots.
the rc #146 Happy Holidays !
This month, Mike and Jason look at how the year ended and what gear they personally like, and look ahead to what might happen in 2015.
Alive again: Night at the Museum: Secret of the Tomb
Behind the scenes with vfx breakdowns from the latest Night at the Museum film.
Five big scenes from Exodus
Breakdowns from five shots and sequences in Ridley Scott’s biblical epic Exodus: Gods and Kings.
Exploring Black Sea
Breaking down the effects in the Kevin Macdonald submarine film Black Sea.
Commercial break(down)
With special making of breakdown videos, we take a look at visual effects work in TVCs with alt.vfx, Method Studios and Mirada.
Paddington: an animation Q&A
Framestore animation supervisor Pablo Grillo delves into the art of animation behind Paddington.
fxpodcast #286: Paul Franklin on Interstellar
Interstellar visual effects supervisor Paul Franklin discusses the science, technology and art behind the incredible Christopher Nolan film.
MARI and MODO for everyone
The Foundry is releasing ‘indie’ versions of MARI and MODO today on Steam.
Zooming in on Assassin’s Creed: Unity
How Blur Studio’s hordes of assassins took over Paris in this incredible TV spot, and what extra scripting work was required for an online interactive version.
Shotgun at Autodesk: the state of play
It’s been almost six months since Autodesk acquired Shotgun – so how have things gone so far?
87th Oscars – the ten VFX contenders
Find out which 10 films are in contention for the visual effects Oscar.
Real and raw: the miniature fx behind Interstellar
Salt, pelican cases and single-pass motion control – how New Deal Studios crafted the spacecraft miniature shots in Interstellar.
Digital Vision purchased by management team
Color grading, restoration and film scanning product provider Digital Vision has been bought out by its management team.
A way forward for the VFX industry
The problems facing the vfx industry are serious and complex, we present a new model for discussion based on the work of some very serious players.
