Civil War was hailed as one of the year’s most startling and visceral films, Framestore was an early collaborator delivering over a 1,000 shots.

Agatha All Along goes a long way with old-school digital comping, blue screen, and set extensions.

We discuss how Disguise provided the World record breakingly large LED screen for Adele in Munich.

Cinesite’s realistic action VFX work on Netflix’s The Union.

Another incredible jump in large language models (LLM) and generative AI (GenAI) but how does it affect visual effects (vfx)?

Jelmer Boskma, the VFX Supervisor at DNEG discusses the environment work in Apple TV+: Time Bandits

Each year the Sci-Tech Committee signals what they are investigating for the next year’s Awards. Here are this year’s 11 areas.

A look back at DigiPro 2024, an outstanding conference held the Saturday before the SIGGRAPH conference begins.

Machine Learning and the outcome of WWDC 24 and the IPad Pro update

DI4D extends the art of CGI digital humans.

Want to see what will be in AI aps in the future? We have a look at the best research papers released today at the CVPR conference.

More control of text-to-image generative AI with consistency and around real-world objects from the CVPR conference.

HBO’s The Sympathizer: 70’s drama comedy with not one but four Robert Downey Jr.s! We look at the visual effects it took to bring the four to the screen and more.

Hanno Basse explains the new Digital Domain markerless Masquerade3 facial animation pipeline.

The Creator was one of the most impressive VFX film of the last year, Proof have released with PreVis reel.