HIERO Ships
The Foundry announced that they have begun shipping HIERO, their shot management, conform and review tool for VFX. Click through for the press release and links to other coverage here at fxguide.
Read the Article5D | FLUX discussion series in LA
Immersive design consortium 5D | Institute is holding series of integrated workshop discussions and panel presentations, spanning three evenings in Los Angeles starting March 13, 2012. “5D | FLUX’ will consist of 120-minute interactive sessions aimed at encouraging in-depth conversations about world-building across disciplines.
Read the ArticleSpirit of Vengeance: a grittier Ghost Rider
We talk to the visual effects team behind Ghost Rider: Spirit of Vengeance.
Read the ArticleJean-Luc Bouchard R.I.P.
We remember Jean-Luc Bouchard who sadly passed away recently after a long battle with cancer. Jean-Luc worked at Discreet Logic, Nothing Real and Apple.
Read the ArticleElectric aliens: Buf’s VFX for The Darkest Hour
Buf breaks down its visual effects for The Darkest Hour. Includes a behind the scenes making of video.
Read the ArticleEffect-ing the story
How VFX helped to enhance the director’s vision in War Horse, Safe House, Big Miracle and Underworld: Awakening.
Read the ArticleA look at Blur’s game cinematics
fxguide’s Mike Seymour recently got the chance to sit down with Blur Studio creative director and co-founder Tim Miller to discuss game cinematics, in cooperation with our media partners at The Daily.
Read the ArticleB&H start your cash registers…5D Mark III
The 5D Mark III is launched – here’s what we know.
Read the ArticleOut of the box: Houdini 12 released
New release of Houdini from Side Effects includes enhanced Pyro FX and FLIP fluids, Bullet integration, production-ready Cloth, and Alembic export.
Read the ArticleChallenges continue for VFX industry
Imageworks says it is leaving Albuquerque, Blizzard to lay off 600 workers, while Pixomondo will open new facility in Baton Rouge.
Read the ArticleLuxology releases new modo 601
We take a quick look at Luxology’s latest release of its modo software for modeling, sculpting, 3D painting, animation and rendering.
Read the ArticleSide Effects Software – 25 years on
To mark the 25th year of Side Effects Software we talk to co-founder Kim Davidson and to SideFX’s Sci-Tech Oscar winners about their work on micro-voxels.
Read the ArticleKim Masters on The Business
Kim Masters writes for industry standard The Hollywood Reporter and is also host of the highly respected podcast and radio show The Business on KCRW. We explore big budget effects films, trends at the Studios and what it takes to produce a top rated radio show on Business in Hollywood.
Read the ArticleCongratulations to Hugo, Rango & Morris Lessmore
In this special video we highlight the VFX and animation winners at the 84th Academy Awards.
Read the ArticleRSP’s trees, bees and birds in Mysterious Island
In this fxinsider interview, we chat to Rising Sun dfx supe Mark Wendell about the bird and bee chase in ‘Journey 2’.
Read the ArticleJourney 2: small is large & large is small
‘Journey 2: The Mysterious Island’ VFX supe Boyd Shermis and the major visual effects vendors discuss the film.
Read the ArticleRhythm & Hues takes flight for Chronicle
We recently visited Rhythm & Hues in LA to talk to visual effects supervisor Raymond Chen about the flying scenes in Chronicle.
Read the ArticleHIERO launch events in LA, Toronto & NYC
The Foundry is holding launch events for HIERO, their vfx shot management and conform tool, in LA (Feb 23rd), Toronto (Feb 28th), and NYC (Mar 1st). Click through for signup info and a link to our fxguidetv ep covering the software.
Read the ArticlePhantom camera, Sci-Tech winner
We talk to Vision Research’s Radu Corlan and Andy Jantzen about their Sci-Tech award for the Phantom camera.
Read the ArticleBAFTA Film Awards winners
The BAFTA Film Awards winners have been announced, with Harry Potter And The Deathly Hallows – Part 2 winning Best Special Visual Effects.
Read the ArticleStan Lee vs. fxguide
fxguide’s own Mike Seymour recently sat down at the VES Awards with Stan Lee of Marvel.
Read the ArticleBreaking down the Super Bowl spots – Part 2
Our Super Bowl XLVI coverage continues with a look at several more of the major VFX spots airing during the game.
Read the ArticleVisual Effects Society Winners of 10th Annual VES Awards
The Visual Effects Society (VES) announced the winners of its 10th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. Complete list and photos follow.
Read the ArticleRed Tails: Pixomondo wrecks planes and trains
Pixomondo VFX supe Bjørn Mayer breaks down his studio’s key shots for Red Tails.
Read the ArticleBreaking down the Super Bowl spots – Part 1
Our Super Bowl XLVI coverage starts with a post-apocalyptic Chevy spot and CG cheetah work for Hyundai.
Read the ArticleLuma transforms Underworld: Awakening
How Luma Pictures used mo-cap, Light Stage and Arnold to bring the Underworld: Awakening Lycans to life.
Read the ArticleNew source for 3D displacement textures
Surface Mimic makes 3D scanned depth maps for digital sculpting, allowing artists to brush high-res details onto models with industry software such as ZBrush, Mudbox, Mari and 3D-Coat. We speak to founder Paul Callender.
Read the ArticleBehind the scenes with the animated Oscar noms
fxguide takes a look at the animated features and animated shorts nominated for the 84th Academy Awards.
Read the ArticleAward submissions made easy
With only one day to go until on-line voting closes for the 10th Annual VES Awards, we thought we’d take a look at one of the companies who helped make the awards possible on a global scale – Sohonet.
Read the ArticleAlive and animated: how DD created ‘Robotarm’
We talk to DD VFX sup. Aladino Debert about the challenges of completing a Cisco spot in a tight four week schedule.
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