HIERO Ships

March 8, 2012

The Foundry announced that they have begun shipping HIERO, their shot management, conform and review tool for VFX. Click through for the press release and links to other coverage here at fxguide.

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5D | FLUX discussion series in LA

March 8, 2012

Immersive design consortium 5D | Institute is holding series of integrated workshop discussions and panel presentations, spanning three evenings in Los Angeles starting March 13, 2012. “5D | FLUX’ will consist of 120-minute interactive sessions aimed at encouraging in-depth conversations about world-building across disciplines.

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Spirit of Vengeance: a grittier Ghost Rider

March 8, 2012

We talk to the visual effects team behind Ghost Rider: Spirit of Vengeance.

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Jean-Luc Bouchard R.I.P.

March 6, 2012

We remember Jean-Luc Bouchard who sadly passed away recently after a long battle with cancer. Jean-Luc worked at Discreet Logic, Nothing Real and Apple.

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Electric aliens: Buf’s VFX for The Darkest Hour

March 6, 2012

Buf breaks down its visual effects for The Darkest Hour. Includes a behind the scenes making of video.

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Effect-ing the story

March 5, 2012

How VFX helped to enhance the director’s vision in War Horse, Safe House, Big Miracle and Underworld: Awakening.

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A look at Blur’s game cinematics

March 4, 2012

fxguide’s Mike Seymour recently got the chance to sit down with Blur Studio creative director and co-founder Tim Miller to discuss game cinematics, in cooperation with our media partners at The Daily.

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B&H start your cash registers…5D Mark III

March 2, 2012

The 5D Mark III is launched – here’s what we know.

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Out of the box: Houdini 12 released

March 1, 2012

New release of Houdini from Side Effects includes enhanced Pyro FX and FLIP fluids, Bullet integration, production-ready Cloth, and Alembic export.

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Challenges continue for VFX industry

February 29, 2012

Imageworks says it is leaving Albuquerque, Blizzard to lay off 600 workers, while Pixomondo will open new facility in Baton Rouge.

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Luxology releases new modo 601

February 29, 2012

We take a quick look at Luxology’s latest release of its modo software for modeling, sculpting, 3D painting, animation and rendering.

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Side Effects Software – 25 years on

February 27, 2012

To mark the 25th year of Side Effects Software we talk to co-founder Kim Davidson and to SideFX’s Sci-Tech Oscar winners about their work on micro-voxels.

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Kim Masters on The Business

February 27, 2012

Kim Masters writes for industry standard The Hollywood Reporter and is also host of the highly respected podcast and radio show The Business on KCRW. We explore big budget effects films, trends at the Studios and what it takes to produce a top rated radio show on Business in Hollywood.

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Congratulations to Hugo, Rango & Morris Lessmore

February 26, 2012

In this special video we highlight the VFX and animation winners at the 84th Academy Awards.

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RSP’s trees, bees and birds in Mysterious Island

February 21, 2012

In this fxinsider interview, we chat to Rising Sun dfx supe Mark Wendell about the bird and bee chase in ‘Journey 2’.

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Journey 2: small is large & large is small

February 21, 2012

‘Journey 2: The Mysterious Island’ VFX supe Boyd Shermis and the major visual effects vendors discuss the film.

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Rhythm & Hues takes flight for Chronicle

February 19, 2012

We recently visited Rhythm & Hues in LA to talk to visual effects supervisor Raymond Chen about the flying scenes in Chronicle.

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HIERO launch events in LA, Toronto & NYC

February 15, 2012

The Foundry is holding launch events for HIERO, their vfx shot management and conform tool, in LA (Feb 23rd), Toronto (Feb 28th), and NYC (Mar 1st). Click through for signup info and a link to our fxguidetv ep covering the software.

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Phantom camera, Sci-Tech winner

February 12, 2012

We talk to Vision Research’s Radu Corlan and Andy Jantzen about their Sci-Tech award for the Phantom camera.

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BAFTA Film Awards winners

February 12, 2012

The BAFTA Film Awards winners have been announced, with Harry Potter And The Deathly Hallows – Part 2 winning Best Special Visual Effects.

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Stan Lee vs. fxguide

February 11, 2012

fxguide’s own Mike Seymour recently sat down at the VES Awards with Stan Lee of Marvel.

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Breaking down the Super Bowl spots – Part 2

February 8, 2012

Our Super Bowl XLVI coverage continues with a look at several more of the major VFX spots airing during the game.

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Visual Effects Society Winners of 10th Annual VES Awards

February 8, 2012

The Visual Effects Society (VES) announced the winners of its 10th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. Complete list and photos follow.

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Red Tails: Pixomondo wrecks planes and trains

February 8, 2012

Pixomondo VFX supe Bjørn Mayer breaks down his studio’s key shots for Red Tails.

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Breaking down the Super Bowl spots – Part 1

February 6, 2012

Our Super Bowl XLVI coverage starts with a post-apocalyptic Chevy spot and CG cheetah work for Hyundai.

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Luma transforms Underworld: Awakening

February 3, 2012

How Luma Pictures used mo-cap, Light Stage and Arnold to bring the Underworld: Awakening Lycans to life.

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New source for 3D displacement textures

February 2, 2012

Surface Mimic makes 3D scanned depth maps for digital sculpting, allowing artists to brush high-res details onto models with industry software such as ZBrush, Mudbox, Mari and 3D-Coat. We speak to founder Paul Callender.

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Behind the scenes with the animated Oscar noms

February 1, 2012

fxguide takes a look at the animated features and animated shorts nominated for the 84th Academy Awards.

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Award submissions made easy

January 30, 2012

With only one day to go until on-line voting closes for the 10th Annual VES Awards, we thought we’d take a look at one of the companies who helped make the awards possible on a global scale – Sohonet.

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Alive and animated: how DD created ‘Robotarm’

January 27, 2012

We talk to DD VFX sup. Aladino Debert about the challenges of completing a Cisco spot in a tight four week schedule.

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