A Game of Shadows: more to the mystery
We explore the key visual effects shots from Framestore and MPC in Sherlock Holmes: A Game of Shadows.
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Hugo garners 11 Oscar noms – here’s why
Martin Scorsese’s Hugo received the lion’s share of Oscar nominations this year – we check out Pixomondo’s breakdowns of their VFX work.
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Oscar Nominations Announced
This morning The Academy of Motion Picture Arts and Sciences announced the nominees for the 84th Academy Awards®. In the category Achievement in Visual Effects, the nominees are…
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Now you can RenderMan on Demand
Pixar has now formally announced RenderMan on Demand, a new cloud based rendering service that was developed in collaboration with GreenButton.
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Brainstorming more VFX on Boardwalk Empire
Brainstorm Digital tells us about their VES Awards-nominated work for the second series of Boardwalk Empire.
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32Ten Studios – mixing it up
We talk to Scott Smith about the advent of the new practical and digital FX studio 32Ten created by former ILM and Kerner Optical employees.
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Open Beta for HIERO begins
The Foundry has moved it’s new workflow/conform tool HIERO to it’s next phase, announcing an open beta. Release date and pricing was also announced.
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BAFTA Film Awards Nominations
Nominees have been announced for the Orange British Academy Film Awards. We have the list for Special Visual Effects and Cinematography.
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Digital storytelling: The Girl with the Dragon Tattoo
Blur, Method and Digital Domain explain their titles and VFX work on David Fincher’s ‘The Girl with the Dragon Tattoo’.
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Godfrey Pye R.I.P.
Godfrey Pye passsed away in LA at 68. He was a giant in our industry. Speaking for myself, even in Australia, as I worked hard in TVC post and VFX in the 80s and 90s, Godfrey was a legend in the industry worldwide, – but for my business partner Jeff Heusser – he was a […]
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MutantLand: from the mind of Phil Tippett
Visual effects supervisor and director Phil Tippett, and his team, talk to fxguide about their short film ‘MutantLand’.
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Driving the projection mapping revolution
We talk to Drive Productions CEO Ben Fender about their London Millbank Tower building projections for Nokia Lumia.
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For Example: Vue and Whiskytree
Whiskytree discuss how they use Vue in their pipeline for digital environments, as part of our ‘For Example’ series.
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Kodak: innovative restructuring
We take a quick look at Kodak’s restructuring in light of rumors of a possible Chapter 11 bankruptcy filing. UPDATED: Kodak has now filed for bankruptcy protection.
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Lightroom 4 reads and (sort of) grades EPIC r3d clips
Adobe today released Lightroom 4 as a public beta, and we stumbled upon it opening (and sort of grading) EPIC r3d files.
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BAFTA longlist – VFX and animated films
Here’s the longlist of BAFTA nominations for the visual effects and animated film categories.
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VES 2012 nominees announced
The nominees for the 10th Annual VES Awards are….
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Nikon D4 : Nikon welcome (back) to the game
Nikon comes back to the DSLR Video race. Is the D4 the 5DMK III Canon has yet to release? Or is it too little too late to catch up to the much larger and now film-maker committed Canon? The D4 scheduled for next month (Feb Shipping) offers a lot of features that you might hope […]
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The Mill makes Audi hum
We talk to The Mill’s visual effects team about their VES-nominated Audi A6 Avant ‘Hummingbird’ spot.
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10 in running for VFX Oscar
Check out the list of ten films in contention for this year’s visual effects Oscar, and how fxguide has covered them.
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2011’s Best VFX TV Spots
We take a look at the top visual effects work as seen in TVCs from 2011. (Especially as we hope be looking at more in 2012 😉
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Skywalker Sound and ‘War Horse’
Skywalker Sound’s Gary Rydstrom discusses the sound design for Steven Spielberg’s ‘War Horse’.
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VFX in 2011
Take a look back at some of the big visual effects films of 2011, courtesy of our media partners at The Daily.
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Assimilate webinar : Jan 10th
Mike Seymour will be doing another Assimilate Webinar on Scratch. Working With Scratch in a Pipeline. Webinar is 10th of January at 10:00 am PST To register for this event, please visit this link We will look at the challenges of working in a multi-suite, modern day workflow. Rather than just using Scratch to complete […]
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Tintin: Weta goes animated
Weta Digital vfx supe Wayne Stables tells us about the challenges of creating Steven Spielberg’s ‘Tintin’.
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Melancholia: when worlds collide, beautifully
We talk to ‘Melancholia’ VFX sup. Peter Hjorth, plus Platige Image and Pixomondo, about the visual effects for Lars von Trier’s film. Includes a video breakdown of the effects work with commentary by Hjorth.
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More incredible, invisible effects
We look at more seamless VFX work in Tinker Tailor Soldier Spy, Breaking Dawn, Machine Gun Preacher, Jack and Jill, Young Adult and Dolphin Tale.
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Happy Feet Two: extended interviews
fxinsider members can watch extended interviews with the VFX and mocap supes behind Happy Feet Two.
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The Art of Destruction (or Art of Blowing Crap Up)
As part of our ongoing in-depth ‘Art Of’ series, we present the Art of Blowing Crap Up: destruction pipelines.
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Breaking Dawn: Tippett crafts a scene
In this video from our media partners at The Daily, Tippett Studio talks about its digital wolves for the lumberyard sequence in Breaking Dawn – Part 1.
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