Project Bifröst was shown in Anaheim during SIGGRAPH for the first time as part of a technology demo. Bifröst is the code name for an new fluid sim development project of enormous scope.

How Double Negative pitched a 2D approach for the visual effects in The World’s End.

Six million views: how Nexus and Analog shape-shifted 25 Honda products into one hand-sized TVC. Plus a behind the scenes making of video.

How the VFX teams made a Silver Samurai, a 300km/h train fight, a nuclear explosion, Logan’s claws and more for The Wolverine.

fxguide goes behind the scenes of the train crashes, train chases, scorpions and bridge explosions in Gore Verbinski’s The Lone Ranger.

Find out more about Next Limit’s RealFlow and Maxwell Render fluid sim and rendering tools in this free interactive iBook by fxguide.

Robots and monsters battle it out in Pacific Rim: how ILM and the VFX teams made it possible.

A breakdown of the 6 biggest scenes from Roland Emmerich’s White House Down and the visual effects behind them.

We check out the new FLIX product from The Foundry, a visual story development tool, ex-Sony Animation. Includes an exclusive video overview.

fxguide talks to Cinesite, MPC, 2h3D, 4DMax and Prime Focus about scaring up the zombie effects for World War Z, scanning sets and actors and the film’s stereo conversion.

How new developments in RenderMan helped Pixar deliver Monsters University.

Breaking down the biggest scenes in Man of Steel – Krypton’s comms, the Smallville confrontation and the destruction of Metropolis.

An In depth look at the Digital Domain Media Group collapse as fxguide speaks to its former CEO John Textor and pieces together the lessons to be learnt.

fxguide sat down with Stig Gruman, VP of sales to discuss the direction of Flame and Smoke, Naiad, and more.

Behind the scenes of Animal Logic’s visual effects for The Great Gatsby.

The third of our three-part series on game environments, looking at Dontnod and Capcom’s newest release ‘Remember Me’. This part focuses on creating wet surfaces.

The second of our three-part series on game environments, looking at Dontnod and Capcom’s newest release ‘Remember Me’. This part focuses on how to create rain.

EXCLUSIVE. The first of our three-part series on game environments, looking at Dontnod and Capcom’s newest release Remember Me. This part focuses on rendering the game.

How the fx teams on Fast & Furious 6 brought down a plane, battled a tank, demolished a parking lot and crafted the signature driving scenes. Plus bonus chat with DOP Steve Windon.

In light of the recent XBOX HALO series announcements, fxguide explores the making of the recent Halo 4: Spartan Ops with Axis, BlackGinger and Realise Studio.

We go behind the scenes of Stargate Studio’s visual effects for the series 7 finale of Doctor Who.

Microsoft’s Xbox One announcements sees new Kinect features, and lets developers continue advancements in lighting and texturing.