John Montgomery heads to Adobe HQ, where fxguide was given exclusive access to the After Effects development team in Seattle for the CS6 release.

This week we have a stereo shot correction tutorial on NUKE and OCULA from Mr. X visual effects supervisor Aaron Weintraub based on his studio’s work for TRON: Legacy.

After 20 years, flame is still going strong. To celebrate the anniversary, we visit with Autodesk’s Philippe Soeiro for a discussion on the renaissance of Flame, as well as highlight some of the new features in the 2013 release.

Continuing our popular series of artist breakdowns in NUKE, VFX Supervisor Alex Fry takes us through the pipeline used to create the skies for Happy Feet 2.

Cinesite production director Courtney Vanderslice discusses the moving mining city of Zodanga in ‘John Carter’ and Cinesite’s stereo conversion work.

We go behind the scenes with Mirada on their work for the Wrigley’s 5 Gum ‘Choose Your Energy’ TVC – a futuristic parkour-inspired piece directed by Jon Favreau.

We talk to COPA co-founder and VFX supervisor Alex Frisch about ‘Turn Me On,’ a music video for David Guetta and Nicki Minaj, and about how the new virtual studio used collaboration tools to complete the work across the globe.

Coverage from CVMP, a conference that brings together image science researchers and creatives in production and post. Excerpts from papers on Automatic Object Segmentation from Calibrated Images and HD Stereoscopic Free Viewpoint Video.

In this week’s episode we are at ILM talking to John Knoll about stereo. John supervised the conversion of Star Wars – Episode One: The Phantom Menace, and Mike sits down with him to discuss this and stereo 3D in general.

Mike Seymour sits down with Animation Supervisor Paul Kavanagh to talk about ILM’s work on Red Tails.

We go behind the scenes of Arthur Christmas with the team at Sony Pictures Imageworks.

Complete coverage of the November 3rd Canon and RED announcements. Details on the new Canon EOS C300 and RED Scarlet .

We talk to Image Engine about their creature and environment VFX for director Matthijs van Heijningen Jr.’s The Thing.

In this episode we look at a Nuke promo breakdown by MPC’s VFX Supervisor Michael Gregory for
Channel 4 “Street Summer” plus a look at the new term at fxphd.com

We talk to Engine who recently completed a fun spot for local telco Telstra. Increasingly we have seen a shift to improving productivity in lighting by speeding up the responses to the artist, rather than just trying to speed up renders. Enter The Bakery, which has an end-to-end solution for interactive lighting design.

We also have a further Q&A with The Bakery’s CTO Arnauld Lamorlette.

IBC 2011 Episode #1 – An exclusive look at The Foundry’s new vfx workflow and conform tool, HIERO.