With Silver Surfer, Weta continues its amazing run of effects projects. The company consistently delivers year in and year out. While they were sharing the work load on Fantastic Four: Rise of the Silver Surfer, as is the pattern these days, their current slate of production is nothing short of jaw dropping.

Mike sits down for an indepth discussion on design issues, the role of titles and the nature of film trailer design with Picture Mill founder William Lebeda.

With over 1000 effects in the first season, Stargate Digital has just finished the first season of the NBC smash hit Heroes. We look behind the heroes to their visual effects artists and discover how the shows characters fly, regenerate, stop time and more.

With a weekend opening of over $120US million, Shrek the Third continues the box office success of the franchise. In this fxpodcast, we speak with Larry Cutler and Matt Baer from PDI/Dreamworks including their insights into how working on a series of films changes the workflow. Our online story also contains a large gallery of images.

This week, we speak with Stu Maschwitz, author of “The DV Rebel’s Guide” and one of the co-founders of The Orphanage.

This week, we speak with colourist Asa Shoul and Executive Producer Jan Hogevold of Framestore CFC

Wrap up of the week at NAB, including news from the Foundry about Nuke, the search for non-CRT broadcast monitors, After Effects CS3, and more

For today’s podcast we invited various guests as well a fxphd professors and postgrads to join us in a sort of bar camp where everyone reports back on what they saw on the show floor and discusses. We then collected the best of this exercise and bring you the results.

Our second podcast from NAB, with guests Emery Wells and Scott Brook. We cover lots of items including Apple, Motor, the Red Camera, and a new joint venture between fxguide, Wells, and Brook.

Wrap up of Sunday’s user group and our first NAB 2007 podcast, a “Live” podcast from the Autodesk Pool Party at Caesar’s Palace. Let me tease you with these words – Standard Filesystem Volume. Not enough? How about batch in Smoke… or multilayer timeline in batch?

A roundtable with Mike, John, Tahl Niran, and Rose Draper about fxguide, fxphd, and what’s coming at NAB

Fox presents a new TV show “Drive” featuring visual effects by Zoic Studios. We spoke to co-founder Loni Peristere about work on this and the companies amazing run in cutting edge episodic television effects from CSI: Crime Scene Investigation, Buffy to Battlestar Gallactica, 24 and now Drive.

We speak to Ted Schilowitz, Leader of the Rebellion at the RED Digital Cinema Company about NAB, RED CODE RAW, the various options you can buy for the camera.

Dan Curry pioneered high volume, high quality episodic television visual effects and as a result has been nominated for a visual effects Emmy fifteen times and won seven times.

We speak to Hydraulx co-founder Greg Strause about their amazing 3D work on 300 and his first impressions of Alien vs Predator 2, having just come off set from co-directing the film.

In this podcast we talk to two of the companies behind some of the shots in Night at the Museum. When we heard that Dick Van Dyke was a not only a fan but VFX hobbyist, we could not resist asking the guys about what it was like to work with someone who started by dancing through a cartoon with Walt, and recently diced with death with a T REX, we also cover bubble gum rocks and ‘real’ miniatures !

Mike Seymour chats with Jeremy Hunt, founder of Screaming Death Monkey, about their work for the upcoming film 300.

We talk to Steve Sullivan, Director Of Research and Development for Industrial Light and Magic, about development of OpenEXR and their in-house image-based modeling tool.

We speak on set with Director Dario Piana for an update on the production of the feature film Deaths of Ian.

This week we talk to legendary London FX artist and director Jon Hollis of Nice Shirt Films, who was a co-founder of Smoke and Mirrors.

We speak with key individuals from the newly re-organized systems team in Montreal. They are involved in the development of Flame, Smoke, Lustre, Toxik and other applications. Bruno Sargeant, Jean-Luc Dery, Philippe Soeiro, Mark Jaszbereny, and Filippo Tampieri.

We speak with Darren Poe and Jeff Kim about Digital Domain’s work on Letters from Iwo Jima.

Maximizing content lifespan with guest Tyler Leshney

We speak with David Vickery of Double Negative and Tim Webber of Framestore CFC about their work on the film.

We speak with Digital Pictures Illoura about their work on the recent animated film Charlotte’s Webb.

We speak with the on-set vfx supervisor of The Deaths of Ian, Dennis Michelson.

We chat with Luc Robert, co-founder of REALVIZ, about their recent release of Stitcher Unlimited DS.

The first-ever Australian Film Institute awarded its first-ever Visual Effects Award to Rose Draper and Mike Seymour for their work on Hunt Angels. Seymour and Draper talk about their work on the film.

Mike Seymour talks with artists involved with the creation of a yellow pages tv commercial done at xyz studios.

Andreas Wacker and Angus Wall discuss techniques developed for the first major motion picture produced without using compressed tape formats or film.