MAXON announces C4D R13
Maxon has announced CINEMA 4D Release 13, the next version of the 3D motion graphics, visual effects, painting, and rendering software application. Scheduled to ship in September, the release includes all new character tools, stereographic capabilities, streamlined multi-artist collaboration and physical rendering. More from SIGGRAPH next week, but click through for new feature highlights.
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Rango’s ‘Holodeck’ – a look at ILM’s virtual set
Gore Verbinski’s Rango was recently released on Blu-ray and DVD, so Mike Seymour talked to the guys at ILM to see the virtual set work on the film first-hand.
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Technicolor buys LaserPacific; sells NY assets
More changes in the film post-production world, with Technicolor announcing it is purchasing LA-based LaserPacific, but also selling its New York post assets.
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How ILM destroyed Chicago
Check out this video from our friends at The Daily in which ‘Transformers: Dark of the Moon’ ILM vfx supe Scott Farrar and digital production supervisor Nigel Sumner explore the destruction of Chicago.
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SIGGRAPH GPU Power Panel
At SIGGRAPH 2011, on Monday 8 August at 1:45pm to 3:00pm, fxguide’s own Mike Seymour is moderating a panel hosted by NVIDIA with leading CTOs and R&D experts from some of the world’s greatest facilities. We speak to Dominick Spina, Sr. Product Manager of NVIDIA, about the great panel from WETA, DNeg, Blue Sky, ILM and SPI.
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film RIP one step closer
Variety is reporting that in the USA lab giants Technicolor and Deluxe have reached subcontracting agreements that move them toward an end to their century-old competition in 35mm release printing. ” Deluxe will take over 35mm release printing for the major studios in the U.S. and Canada beginning this week. Technicolor will exit the 35mm […]
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Making Green Lantern – bonus material
fxinsider members can watch two making of clips of Sony Pictures Imageworks’ effects from Green Lantern.
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Foundry releases NUKE 6.3
The Foundry have released an update to their flagship NUKE and NUKE X products today, which are available free of charge for customers under subscription. The big features of the release include a brand new 3D particle system as well as new planar tracker, but there have been an number of other improvements.
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Rhythm & Hues breaks down Popper’s Penguins
Rhythm & Hues details its vfx for Mr Popper’s Penguins in this making of video.
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Peter Wolf – leading the way for deaf filmmakers
Mike meets deaf filmmaker Peter Wolf at the Cine Gear Expo in LA.
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63rd Primetime Emmy Award Nominees
Nominations were announced this morning for the 63rd Primetime Emmy Awards.
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Cars 2 animation progression
Disney/Pixar have released a neat breakdown of the opening drilling platform chase sequence from Cars 2.
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The sound fx of Cars 2
Here’s a video we worked on with The Daily on the sound design and effects by Skywalker Sound for Pixar/Disney’s Cars 2.
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Free Scratch + RED Webinar July 14th
fxguide’s own Mike Seymour will be leading a webinar on July 14th covering SCRATCH and RED workflow. If you own a RED camera — or if you don’t own one and need to manage productions and post that are using RED, this short webinar will be useful for you. Register here or click through for more details.
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Some recent TVC highlights
Here’s just five TVCs from the last few months that have caught our eye for their inventive use of visual effects.
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The Foundry releases NUKE/MARI workflow
The Foundry have announced a new set of tools which makes getting data back and forth between MARI and NUKE much simpler. It’s exactly the type of workflow that compositors using camera projections to do set extensions and fixes will surely find incredibly useful as the lines further blur between comp and CG. Click through for the full press release from The Foundry.
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How previs shaped X-Men: First Class
We recently partnered with The Daily to produce a story on The Third Floor’s previs work for X-Men: First Class.
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Cannes Film Craft Lions
The shortlist for the 2011 Film Craft Cannes Lions has been released, with the winners to be announced on 25 June. We’ve covered a number of these projects at fxguide. UPDATED to include the winners.
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VES Career Fair & Workshops
On June 25th, the Visual Effects Society is holding a Career Fair with representatives from many visual effects companies who are looking to meet new talent. Companies hosting booths include Walt Disney Animation Studios, MPC, Sony Imageworks, Digital Domain, Deluxe, Technicolor and many more.
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Academy invites 178 to Membership
The Academy of Motion Picture Arts and Sciences announced the list of people invited to join as Academy Members for 2011. The list includes thirteen animators, two art directors, nine cinematographers, nine editors and twelve people in the visual effects category.
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Retro spotlight: A.I. Artificial Intelligence
Tony Hudson, who worked at ILM as the CG Model and Creature Supervisor on A.I. Artificial Intelligence, outlines some of his favorite memories from the experience.
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VES 2.0 is here and ready to lead
The Visual Effects Society (VES) today released an open letter to “VFX Artists And The Entertainment Industry At Large” announcing VES 2.0, we talk with Jeffrey A. Okun, Chair of VES.
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Dutch Tilt – how much should you be paid?
We spoke to Jules van Den Steenhoven of the NSC about their new iPhone & iPad app that maps global salaries for production and post professionals. Some things like this have been tried in the past, none it would seem as successfully as the NSC’s app is proving to be. But what was their approach to gathering this information and how current is it? Does it take into account month to month currency fluctuation? And just why is this being done by the NSC anyway?
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Bear of a time at Cannes
Director Nash Edgerton along with producer Lauren Edwards have just completed a week at Cannes with the short film Bear.
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