Doug Meet Zoey
Digital Domain Gives a Face to AI with ‘Zoey,’ at the FMX Conference in Germany
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NVIDIA is collaborating with top academics to present 16 SIGGRAPH Papers
NVIDIA works with 14 academic researchers on 16 SIGGRAPH ’22 papers
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Avatar: The Way of Water: Does it seem it was worth the wait?
A special (technical) view of the new Stereo Avatar: The Way of Water
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fxpodcast #340 Advertising and Creative on Madison Avenue
We talk to the Artery’s Vico Sharabani about creativity and the evolving business of engaged creativity.
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Pixomondo bashes environments with KitBash3D
Given the volume of models for episodic work, Pixomondo finds great value in Kit-bashing.
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Union VFX for Operation Mincemeat
Union discusses creating the dramatic VFX for UK WWII thriller Operation Mincemeat
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Heavenly virtual production
Pixomondo continues to expand its use of LED volumes in short-form projects such as commercials.
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Everything Everywhere All At Once VFX Team All at Once
An in-depth talk with All the VFX team, All at Once (well 4 of the 5 artists)
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The neural rendering of The Champion
The world’s first full neural rendered dialogue replacement full feature film.
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Inside a location scanning truck
We visit on set with 3D scanning company Avatar Factory.
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Do I want an Apple Studio?
We look at M1 Max Studio vs M1 MacBook Pro – for professional effects editing.
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UE5 in a State of Unreal digital human characters
UE5 is released as part of Unreal’s State of Unreal.
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Gilded age world building
VFX sups Douglas Purver and Becky Graham discuss The Gilded Age of VFX at DNEG
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The integrated role of hi-tech props in The Adam Project
Property Master, Dean Eilertson talks about The Adam Project
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The Third Floor Move into stylized animation
The Third Floor branches into game-based high-quality animation. We speak to TTF’s Josh Wassung.
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Ultra fast NeRF at GTC (3D from 2D REALLY quickly)
NVIDIA demos a 1000X speed up in using NeRFs to make 3D scenes from 2D.
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VFXShow 258: Dune Oscar Preview
The Oscars are next week and in this episode, we discuss our pick (guess) to win the Effects Oscar: Dune.
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VP makes holographic screens beyond real
By using clever camera tracking – on set monitors and devices can see like actual holograms.
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