Digital Domain gets Lost In Space
Digital Domain’s world-building and rendering issues for Lost in Space.
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Open source under the North Sea
Rebel Unit discuss their shift to open source for North Sea’s under water CGI VFX
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VES Reference Platform
The VES tech Committee looks forward to what workstations artists could and should be using, in the VFX Reference Platform 2021 Survey.
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Goodbye Kansas Studio is on Vigil
Vigil has only just been released in the USA, VFX by Goodbye Kansas Studios.
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Maya’s Unreal future
Autodesk, in collaboration with Epic Games, has released a new Maya Unreal Live Link
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Virtual McDonalds
Co-Directors Matt Manhire and David Whiteson recently finished a Mcdonald’s commercial shot entirely using VP.
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Deep neural rendering comes of age
NR is so much more than DeepFakes, as Synthesia is demonstrating.
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Ghost of Ghostbusters Past
Egon, Ecto, and effects and effects in Ghostbusters: Afterlife.
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The volumetric future?
An in-depth, deep dive Case Study on Volumetric Capture : Coldplay BTS My Universe
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The definitive Weta Digital guide to image-based lighting
Erik Winquist exclusively shares Weta Digital’s internal IBL making of video.
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fxpodcast #336: Chris Corbould SFX Supervisor 007
SFX Oscar Winner Chris Corbould discusses Bond, Bombs, and Bank Districts.
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The Eternal Characters
The character animation + VFX of the Eternals and at Weta Digital
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fxpodcast #335: Nuke meet Unreal, play nicely.
The upcoming Nuke release sees the addition of direct Unreal importing and control.
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SYNTHia Virtual Talent at The-Artery
We discuss The-Artery’s SYNTHia with Vico Sharabani
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