We take the iPhone 12 for a serious road-test and talk to Dolby about the iPhone 12’s end to end Dolby Vision.

Jason Zimmerman discussed the vast and remarkable effects in Star Trek: Discovery

We explore the complexity of the new AI facial pipeline at Digital Domain.

A new music video “High in Heaven,” by VWLS utilizes 200 drones, 3D from Cinema 4D & the AR toolkit to create a unique musical experience.

SAUCE is a 3-year EU Research project into Virtual Production and asset reuse pipelines.

We talk to Mr X about HBO Max’s science fiction series Raised By Wolves

Weta Digital’s Anders Langlands breaks down their work on Disney’s Mulan

We test-drive the new Rokoko MoCap SmartGloves

disguise offers an end to end LED volume/stage solution with xR

How MPC used their Virtual Production tools to bring The One and Only Ivan to life.

Octane X looks set to offer great Ray Tracing on the new Macs.

We talk to Pixomondo’s VFX Supervisor, Nhat Phong Tran about Westworld and Euphoria

The winning submission from Real-Time Live: Monoport

We preview this week’s webcast series with Tangent’s experience in virtualized their animation pipeline

A look at the unusual Radioactive film with Union VFX in London.

A Deep Dive with R3DS on facial topology Wrapping.

Indie Series 2: We explore Chalk Warfare 4.0

Indie Series 1: A deep dive into the Memories of Australia in UE4

Reallusion Extends the Reach of its Digital Humans with its CC3+ and SkinGen tools