How director Tom Hooper overcame the challenges of bringing Les Miserables and its magical reality to the big screen.

A befores and afters breakdown of scenes from The Impossible, which tells the story of the 2004 Boxing Day tsunami.

Video chat omegle! Meet new people, with omegle. Our site can video chat, omegle can chat with other users. Omegle, as distinct from, and the quality of our website audience have enhanced chat features. Our site is enhanced security, without members chat, chat with random users, an environment level, with features such as unlimited and free chat […]

How the talented artists at Hive FX & Bent Image Lab create the morphing effects in the TV series Grimm.

As a new model for a cutting edge production, the production of Battlestar Galactica: Blood & Chrome is extremely interesting, both from a production/virtual production standpoint and distribution.

Behind the scenes of Norwegian film Kon-Tiki, which features water sims, environment work and sea creatures, including, yes…those…sharks (the best CG sharks we have seen).

Ubisoft Character Technical Director Kieran O’Sullivan recently spoke at a highly successful 3Dec Autodesk function – fxguide spoke to him afterwards about the technical workflow, character design and rigging for the cast of Far Cry 3.

Inside the ocean simulations and ship physics for Ubisoft’s new Assassin’s Creed III game, with amazing behind the scenes code testing and simulation clips.

How DreamWorks Animation used Houdini, cellular automata and other effects techniques on Rise of the Guardians.

We look at the RED camera use and DIT work on Hitchcock using Light Iron’s OUTPOST on set workflow.

Tippet Studio discusses the visual effects behind the final wolf and vampire battle in Breaking Dawn – Part 2.

We talk to Gradient Effects about the challenges of creating metal armour for a character in ‘The Man with the Iron Fists’. Includes vfx breakdown.