Visual Effects Society Winners of 10th Annual VES Awards
The Visual Effects Society (VES) announced the winners of its 10th Annual VES Awards tonight at the Beverly Hilton Hotel in Beverly Hills, California. Complete list and photos follow.
Read the ArticleRed Tails: Pixomondo wrecks planes and trains
Pixomondo VFX supe Bjørn Mayer breaks down his studio’s key shots for Red Tails.
Read the ArticleBreaking down the Super Bowl spots – Part 1
Our Super Bowl XLVI coverage starts with a post-apocalyptic Chevy spot and CG cheetah work for Hyundai.
Read the ArticleLuma transforms Underworld: Awakening
How Luma Pictures used mo-cap, Light Stage and Arnold to bring the Underworld: Awakening Lycans to life.
Read the ArticleNew source for 3D displacement textures
Surface Mimic makes 3D scanned depth maps for digital sculpting, allowing artists to brush high-res details onto models with industry software such as ZBrush, Mudbox, Mari and 3D-Coat. We speak to founder Paul Callender.
Read the ArticleBehind the scenes with the animated Oscar noms
fxguide takes a look at the animated features and animated shorts nominated for the 84th Academy Awards.
Read the ArticleAward submissions made easy
With only one day to go until on-line voting closes for the 10th Annual VES Awards, we thought we’d take a look at one of the companies who helped make the awards possible on a global scale – Sohonet.
Read the ArticleAlive and animated: how DD created ‘Robotarm’
We talk to DD VFX sup. Aladino Debert about the challenges of completing a Cisco spot in a tight four week schedule.
Read the ArticleA Game of Shadows: more to the mystery
We explore the key visual effects shots from Framestore and MPC in Sherlock Holmes: A Game of Shadows.
Read the ArticleHugo garners 11 Oscar noms – here’s why
Martin Scorsese’s Hugo received the lion’s share of Oscar nominations this year – we check out Pixomondo’s breakdowns of their VFX work.
Read the ArticleOscar Nominations Announced
This morning The Academy of Motion Picture Arts and Sciences announced the nominees for the 84th Academy Awards®. In the category Achievement in Visual Effects, the nominees are…
Read the ArticleNow you can RenderMan on Demand
Pixar has now formally announced RenderMan on Demand, a new cloud based rendering service that was developed in collaboration with GreenButton.
Read the ArticleBrainstorming more VFX on Boardwalk Empire
Brainstorm Digital tells us about their VES Awards-nominated work for the second series of Boardwalk Empire.
Read the Article32Ten Studios – mixing it up
We talk to Scott Smith about the advent of the new practical and digital FX studio 32Ten created by former ILM and Kerner Optical employees.
Read the ArticleOpen Beta for HIERO begins
The Foundry has moved it’s new workflow/conform tool HIERO to it’s next phase, announcing an open beta. Release date and pricing was also announced.
Read the ArticleBAFTA Film Awards Nominations
Nominees have been announced for the Orange British Academy Film Awards. We have the list for Special Visual Effects and Cinematography.
Read the ArticleDigital storytelling: The Girl with the Dragon Tattoo
Blur, Method and Digital Domain explain their titles and VFX work on David Fincher’s ‘The Girl with the Dragon Tattoo’.
Read the ArticleGodfrey Pye R.I.P.
Godfrey Pye passsed away in LA at 68. He was a giant in our industry. Speaking for myself, even in Australia, as I worked hard in TVC post and VFX in the 80s and 90s, Godfrey was a legend in the industry worldwide, – but for my business partner Jeff Heusser – he was a […]
Read the ArticleMutantLand: from the mind of Phil Tippett
Visual effects supervisor and director Phil Tippett, and his team, talk to fxguide about their short film ‘MutantLand’.
Read the ArticleDriving the projection mapping revolution
We talk to Drive Productions CEO Ben Fender about their London Millbank Tower building projections for Nokia Lumia.
Read the ArticleFor Example: Vue and Whiskytree
Whiskytree discuss how they use Vue in their pipeline for digital environments, as part of our ‘For Example’ series.
Read the ArticleKodak: innovative restructuring
We take a quick look at Kodak’s restructuring in light of rumors of a possible Chapter 11 bankruptcy filing. UPDATED: Kodak has now filed for bankruptcy protection.
Read the ArticleLightroom 4 reads and (sort of) grades EPIC r3d clips
Adobe today released Lightroom 4 as a public beta, and we stumbled upon it opening (and sort of grading) EPIC r3d files.
Read the ArticleBAFTA longlist – VFX and animated films
Here’s the longlist of BAFTA nominations for the visual effects and animated film categories.
Read the ArticleVES 2012 nominees announced
The nominees for the 10th Annual VES Awards are….
Read the ArticleNikon D4 : Nikon welcome (back) to the game
Nikon comes back to the DSLR Video race. Is the D4 the 5DMK III Canon has yet to release? Or is it too little too late to catch up to the much larger and now film-maker committed Canon? The D4 scheduled for next month (Feb Shipping) offers a lot of features that you might hope […]
Read the ArticleThe Mill makes Audi hum
We talk to The Mill’s visual effects team about their VES-nominated Audi A6 Avant ‘Hummingbird’ spot.
Read the Article10 in running for VFX Oscar
Check out the list of ten films in contention for this year’s visual effects Oscar, and how fxguide has covered them.
Read the Article2011’s Best VFX TV Spots
We take a look at the top visual effects work as seen in TVCs from 2011. (Especially as we hope be looking at more in 2012 😉
Read the ArticleSkywalker Sound and ‘War Horse’
Skywalker Sound’s Gary Rydstrom discusses the sound design for Steven Spielberg’s ‘War Horse’.
Read the Article