Priest: not your average vampire movie

May 30, 2011

We take a look at just some of the 750 effects shots in Priest by Tippett Studio, Spin VFX, Svengali FX, Spy Post and The Senate.

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Psyop tested to perfection

May 26, 2011

For ‘Tested To Perfection’, a Castrol TVC for the company’s newly reformulated EDGE motor oil, Psyop was called upon to help create an elaborate test track complete with giant engine parts and a hero made of oil going through its paces. We talk to Jamie Scott (2D lead and co-vfx supervisor) and Tony Barberi (technical […]

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Elastic opens Game of Thrones

May 26, 2011

We speak to Creative Director Angus Wall from Elastic about designing and executing the two and half minute opening titles for Game of Thrones.

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VES 2.0 is here and ready to lead

May 25, 2011

The Visual Effects Society (VES) today released an open letter to “VFX Artists And The Entertainment Industry At Large” announcing VES 2.0, we talk with Jeffrey A. Okun, Chair of VES.

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Dutch Tilt – how much should you be paid?

May 25, 2011

We spoke to Jules van Den Steenhoven of the NSC about their new iPhone & iPad app that maps global salaries for production and post professionals. Some things like this have been tried in the past, none it would seem as successfully as the NSC’s app is proving to be. But what was their approach to gathering this information and how current is it? Does it take into account month to month currency fluctuation? And just why is this being done by the NSC anyway?

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The latest from Rok!t Studio

May 24, 2011

We talk to Rok!t Studio creative director Steve Viola about two recent projects – opening titles for Tyler Perry’s Madea’s Big Happy Family and stereo animation work for the Justin Bieber bio Never Say Never.

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Bear of a time at Cannes

May 23, 2011

Director Nash Edgerton along with producer Lauren Edwards have just completed a week at Cannes with the short film Bear.

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Digital Domain buys site license of KATANA

May 19, 2011

The Foundry announced today that Digital Domain has purchased a site license for KATANA, making them the first customer of the product. We caught up with Bill Collis for an update on this news as well as more info about open source and support of the recent deep compositing spec that’s part of OpenEXR 2.0

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Pixar’s Chris Ford on RenderMan Pro Server 16.0

May 19, 2011

We talk to RenderMan Business Director Chris Ford about some of the key features of the new RenderMan Pro Server 16.0 release.

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Mirada dreams of black for ROME

May 18, 2011

We thought we’d point you to some of the latest work from Mirada, the new studio collaboration between director Guillermo del Toro, director Mathew Cullen, cinematographer Guillermo Navarro and executive producer Javier Jimenez.

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Realms, robots & rainbow bridges: crafting Thor

May 18, 2011

We talk to Thor visual effects supervisor Wesley Sewell and some of the VFX vendors about a few key sequences from Kenneth Branagh’s film of the Marvel comic.

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Kessler Motion control slider : the rc bonus extra

May 11, 2011

In this bonus RC video, we speak to Eric Kessler about the new Motion Control Slider – first shown at NAB 2011.

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Cooke Panchros: the rc bonus extra

May 9, 2011

We caught up with Les Zellan from Cooke Lens. Cooke recently we introduced the Panchros (or Mini-S4s as Les jokes). We talk to Les and test drove the lens.

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FMX 2011 – Day Four

May 9, 2011

The final day of FMX 2011 included a Harry Potter VFX tribute and presentations on animated films and games. We also talk to Proof’s Ron Frankel about the concept of stereo previs.

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FMX 2011 – Day Three

May 6, 2011

More impressive talks punctuated day three at FMX 2011. We take a look at some of the highlights and sit down with ILM’s Tim Alexander and Patrick Cohen to discuss Rango.

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FMX 2011 – Day Two

May 5, 2011

Day two at FMX 2011 brought a major announcement from Weta Digital and The Foundry, along with some great presentations on virtual characters. We also speak to Molinare’s Dayne Cowan about The King’s Speech.

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MPC on track with Fast Five

May 4, 2011

MPC visual effects supervisor Guillaume Rocheron breaks down the train heist sequence from Fast Five.

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yU+co captures crime for Call of Juarez: The Cartel

May 4, 2011

We cover yU+Co’s work on the ‘Call of Juarez: The Cartel’ trailer by animation director Richard Taylor and the facial capture tech from Depth Analysis, with an exclusive insider making of video.

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FMX 2011 – Day One

May 4, 2011

A round up of our first day at FMX 2011 in Stuttgart.

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Outcasts: creating the darkside of space

April 29, 2011

We talk to Darkside Animation about their work for the BBC series Outcasts and present several break down clips from the show.

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Glassworks manipulates metal and builds a baby

April 27, 2011

We take a look at two recent TVC’s featuring visual effects from Glassworks – ‘Baby’ and ‘Manipulation’ – completed by artists in London and Amsterdam.

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Engine Room makes a splash with Soul Surfer

April 26, 2011

We talk to Engine Room founder and VFX supervisor Dan Schmit about creating more than 750 shots for the inspiring true story of Soul Surfer.

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Congrats to our HP EliteBook Winner

April 22, 2011

We got some great entries for our HP EliteBook giveaway, but there can only be one winner. And that winner is Chris Hocking, whose “server room shower” took top place with an inventive install to get the job done in pinch. Click through for more images as well as some impressions of running The Foundry’s Mari on the EliteBook.

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Busted! How The Mill helped Mythbusters blow stuff up

April 16, 2011

We go behind the scenes with The Mill for a Discovery Channel Mythbusters promo using motion control, practical elements and CG.

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Your Highness: A little bit of Framestore magic

April 14, 2011

Framestore visual effects supervisor Mike McGee talks about collaborating closely with the Your Highness filmmakers.

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Mr. X’s spy effects for Hanna

April 13, 2011

We talk to Mr. X visual effects supervisor Brendan Taylor about his work for Joe Wright’s coming-of-age espionage thriller, Hanna.

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ZYNC: get your own vast renderfarm – instantly

April 9, 2011

We speak exclusively to Atomic Fiction and Zero vfx, about their use of ZYNC cloud computing.

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The Easter Bunny lives, in Hop

April 8, 2011

In Hop, teenage rabbit E.B. laments his impending crowning as the new Easter Bunny and instead makes way for Hollywood. Director Tim Hill called on Rhythm & Hues to realize E.B. and the film’s other anthropomorphized animals as CG creations.

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De-compiling the VFX of Source Code

April 7, 2011

For Source Code, director Duncan Jones looked to visual effects supervisor Louis Morin to help realize 850 shots of trains, explosions, virtual transitions and other crucial sequences in the film.

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Q&A with Ross Shain from Imagineer

April 6, 2011

As NAB approaches, we’re starting to mark the showfloor map of products we’d like to check out. We’ve always been big fans of the tech behind Imagineer’s products over the years, so we thought we’d get a bit of an update from Imagineer’s Ross Shain. We chat about how the company started, the expanding user base, and how the development of the never-released mogul effected the company.

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