Priest: not your average vampire movie
We take a look at just some of the 750 effects shots in Priest by Tippett Studio, Spin VFX, Svengali FX, Spy Post and The Senate.
Read the ArticlePsyop tested to perfection
For ‘Tested To Perfection’, a Castrol TVC for the company’s newly reformulated EDGE motor oil, Psyop was called upon to help create an elaborate test track complete with giant engine parts and a hero made of oil going through its paces. We talk to Jamie Scott (2D lead and co-vfx supervisor) and Tony Barberi (technical […]
Read the ArticleElastic opens Game of Thrones
We speak to Creative Director Angus Wall from Elastic about designing and executing the two and half minute opening titles for Game of Thrones.
Read the ArticleVES 2.0 is here and ready to lead
The Visual Effects Society (VES) today released an open letter to “VFX Artists And The Entertainment Industry At Large” announcing VES 2.0, we talk with Jeffrey A. Okun, Chair of VES.
Read the ArticleDutch Tilt – how much should you be paid?
We spoke to Jules van Den Steenhoven of the NSC about their new iPhone & iPad app that maps global salaries for production and post professionals. Some things like this have been tried in the past, none it would seem as successfully as the NSC’s app is proving to be. But what was their approach to gathering this information and how current is it? Does it take into account month to month currency fluctuation? And just why is this being done by the NSC anyway?
Read the ArticleThe latest from Rok!t Studio
We talk to Rok!t Studio creative director Steve Viola about two recent projects – opening titles for Tyler Perry’s Madea’s Big Happy Family and stereo animation work for the Justin Bieber bio Never Say Never.
Read the ArticleBear of a time at Cannes
Director Nash Edgerton along with producer Lauren Edwards have just completed a week at Cannes with the short film Bear.
Read the ArticleDigital Domain buys site license of KATANA
The Foundry announced today that Digital Domain has purchased a site license for KATANA, making them the first customer of the product. We caught up with Bill Collis for an update on this news as well as more info about open source and support of the recent deep compositing spec that’s part of OpenEXR 2.0
Read the ArticlePixar’s Chris Ford on RenderMan Pro Server 16.0
We talk to RenderMan Business Director Chris Ford about some of the key features of the new RenderMan Pro Server 16.0 release.
Read the ArticleMirada dreams of black for ROME
We thought we’d point you to some of the latest work from Mirada, the new studio collaboration between director Guillermo del Toro, director Mathew Cullen, cinematographer Guillermo Navarro and executive producer Javier Jimenez.
Read the ArticleRealms, robots & rainbow bridges: crafting Thor
We talk to Thor visual effects supervisor Wesley Sewell and some of the VFX vendors about a few key sequences from Kenneth Branagh’s film of the Marvel comic.
Read the ArticleKessler Motion control slider : the rc bonus extra
In this bonus RC video, we speak to Eric Kessler about the new Motion Control Slider – first shown at NAB 2011.
Read the ArticleCooke Panchros: the rc bonus extra
We caught up with Les Zellan from Cooke Lens. Cooke recently we introduced the Panchros (or Mini-S4s as Les jokes). We talk to Les and test drove the lens.
Read the ArticleFMX 2011 – Day Four
The final day of FMX 2011 included a Harry Potter VFX tribute and presentations on animated films and games. We also talk to Proof’s Ron Frankel about the concept of stereo previs.
Read the ArticleFMX 2011 – Day Three
More impressive talks punctuated day three at FMX 2011. We take a look at some of the highlights and sit down with ILM’s Tim Alexander and Patrick Cohen to discuss Rango.
Read the ArticleFMX 2011 – Day Two
Day two at FMX 2011 brought a major announcement from Weta Digital and The Foundry, along with some great presentations on virtual characters. We also speak to Molinare’s Dayne Cowan about The King’s Speech.
Read the ArticleMPC on track with Fast Five
MPC visual effects supervisor Guillaume Rocheron breaks down the train heist sequence from Fast Five.
Read the ArticleyU+co captures crime for Call of Juarez: The Cartel
We cover yU+Co’s work on the ‘Call of Juarez: The Cartel’ trailer by animation director Richard Taylor and the facial capture tech from Depth Analysis, with an exclusive insider making of video.
Read the ArticleFMX 2011 – Day One
A round up of our first day at FMX 2011 in Stuttgart.
Read the ArticleOutcasts: creating the darkside of space
We talk to Darkside Animation about their work for the BBC series Outcasts and present several break down clips from the show.
Read the ArticleGlassworks manipulates metal and builds a baby
We take a look at two recent TVC’s featuring visual effects from Glassworks – ‘Baby’ and ‘Manipulation’ – completed by artists in London and Amsterdam.
Read the ArticleEngine Room makes a splash with Soul Surfer
We talk to Engine Room founder and VFX supervisor Dan Schmit about creating more than 750 shots for the inspiring true story of Soul Surfer.
Read the ArticleCongrats to our HP EliteBook Winner
We got some great entries for our HP EliteBook giveaway, but there can only be one winner. And that winner is Chris Hocking, whose “server room shower” took top place with an inventive install to get the job done in pinch. Click through for more images as well as some impressions of running The Foundry’s Mari on the EliteBook.
Read the ArticleBusted! How The Mill helped Mythbusters blow stuff up
We go behind the scenes with The Mill for a Discovery Channel Mythbusters promo using motion control, practical elements and CG.
Read the ArticleYour Highness: A little bit of Framestore magic
Framestore visual effects supervisor Mike McGee talks about collaborating closely with the Your Highness filmmakers.
Read the ArticleMr. X’s spy effects for Hanna
We talk to Mr. X visual effects supervisor Brendan Taylor about his work for Joe Wright’s coming-of-age espionage thriller, Hanna.
Read the ArticleZYNC: get your own vast renderfarm – instantly
We speak exclusively to Atomic Fiction and Zero vfx, about their use of ZYNC cloud computing.
Read the ArticleThe Easter Bunny lives, in Hop
In Hop, teenage rabbit E.B. laments his impending crowning as the new Easter Bunny and instead makes way for Hollywood. Director Tim Hill called on Rhythm & Hues to realize E.B. and the film’s other anthropomorphized animals as CG creations.
Read the ArticleDe-compiling the VFX of Source Code
For Source Code, director Duncan Jones looked to visual effects supervisor Louis Morin to help realize 850 shots of trains, explosions, virtual transitions and other crucial sequences in the film.
Read the ArticleQ&A with Ross Shain from Imagineer
As NAB approaches, we’re starting to mark the showfloor map of products we’d like to check out. We’ve always been big fans of the tech behind Imagineer’s products over the years, so we thought we’d get a bit of an update from Imagineer’s Ross Shain. We chat about how the company started, the expanding user base, and how the development of the never-released mogul effected the company.
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