fxinsider: Everest VFX supe Dadi Einarsson

Icelandic visual effects supervisor Dadi Einarsson, who recently supervised Everest, gives fxguide a run down of the VFX scene in his country.

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Visual Effects Oscars® Nominees

The nominated films for the 88th Oscars® are…

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14th Annual VES Award Nominees

Nominees have been announced for the 14th annual Visual Effects Society Awards…

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MARI, LAIKA and tools from ILM, R&H & Imageworks among Sci-Tech winners

Read the full list of Sci-Tech Award winners, which include on-set, photography, color science and VFX tools.

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BAFTA nominations announced

Nominees for the EE British Academy Film Awards…

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Ex Machina: new VFX breakdowns

Watch brand new VFX breakdowns showing how Double Negative created Ava for Ex Machina.

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Nikon, yes Nikon, surprises us with the KeyMission 360

RC Tech: Nikon has new cameras at CES – but of all of them the new KeyMission 360 is the most surprising. GoPro, the ball is now in your court!

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10 VFX films advance to Bake-off

The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 88th Academy Awards®.

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The early days at PDI

In this special fxinsider interview, we talk to PDI co-founder Glen Entis about the pioneering days at animation studio PDI.

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20 in the VFX Oscar race

Find out which films have made it into the top-20 for the VFX Oscar, and let us know what your final ten and final five would be.

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Unionizing efforts in the UK

In London recently BECTU (Broadcasting Entertainment Cinematograph and Theatre Union) formally requested recognition to represent the compositing department at MPC. fxguide spoke with Paul Evans from BECTU as well as Joe Pavlo, an artist who has been heavily involved in the effort.

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X.IO and Octane 3

We review an impressive demo on two separate fronts !

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What happens to miniatures after they’ve been shot?

Famed ILM Model Shop modelmaker Lorne Peterson talks to fxguide about the fate of miniatures. Plus behind the scenes of some of his favorite projects.

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Walter Murch on the path to digital

Legendary editor Walter Murch shares his thoughts on the advent of digital editing systems in this special fxinsider interview.

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Crafting the hero moment

ILM animation supervisor Glenn McIntosh discusses Jurassic World’s final heroic scenes in this special fxinsider interview.

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Gnome way out

How MPC took on Goosebumps’ VFX challenges, gnome matter what was thrown at them.

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How Cinesite keeps on track

Cinesite reveals how ftrack helped plan and track the studio’s visual effects for The Last Witch Hunter.

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Alex Mahon joins The Foundry as CEO

EXCLUSIVE interview with new The Foundry CEO Alex Mahon and former CEO Bill Collis who will now be the company’s President.

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Inside a scene in Inside Out

In this fxinsider story for our valued subscribers, we talk to Pixar’s director of photography (lighting) Kim White about a scene from Inside Out.

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Why the Lytro Immerge is a big deal

Opinion piece: We discuss what makes the Lytro Immerge so cool technically and so important as a new camera.

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Inside Disney Research Zurich’s capture tech

fxguide’s Mike Seymour has his eyes and head scanned at Disney Research Zurich.

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fxinsider: One of Us helps the climb to Everest

In this special breakdown for our fxinsider members, we take a look at One of Us’ vfx for Everest – plus feature befores and afters of their work.

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An animated day 3 at VIEW

The Book of Life, Hotel Transylvania 2 and Shaun the Sheep – all presented on day 3 at VIEW.

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Day 2 at VIEW: The Little Prince and ILM’s models and miniatures

We report on ILM Model Shop Supervisor Lorne Peterson’s talk at VIEW, and the keynote from The Little Prince director Mark Osborne.

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