NVIDIA unveiled a no-code digital human chatbot link to Epic’s Metahumans at GTC.

Congrats to all the Emmy nominees and winners in 2022

We look at the Previs for The Fast and Furious: F9, The Fast Saga by Proof Inc

With the AWS Thinkbox products now free of charge, a look back at the 21 years of Deadline.

Netflix expands even further by buying Animal Logic.

Case study of Metahuman in Modern Archeology

The remarkable realism of Prehistoric Planet from Apple, BBC NHU, and MPC.

Something familiar that you have never seen before – in real-time: UE5 Fractals

Our sister site fxphd.com is a leading provider of online training courses for professionals in the visual effects and animation industry. Their courses are designed to help professionals stay up-to-date with the latest techniques and software, and to develop the skills they need to advance their careers.

Autodesk invests in RADiCAL and their AI-powered 3D Motion Capture System.

Digital Domain Gives a Face to AI with ‘Zoey,’ at the FMX Conference in Germany

NVIDIA works with 14 academic researchers on 16 SIGGRAPH ’22 papers

A special (technical) view of the new Stereo Avatar: The Way of Water

Given the volume of models for episodic work, Pixomondo finds great value in Kit-bashing.

Union discusses creating the dramatic VFX for UK WWII thriller Operation Mincemeat

Pixomondo continues to expand its use of LED volumes in short-form projects such as commercials.

We visit on set with 3D scanning company Avatar Factory.

UE5 is released as part of Unreal’s State of Unreal.

VFX sups Douglas Purver and Becky Graham discuss The Gilded Age of VFX at DNEG

The Third Floor branches into game-based high-quality animation. We speak to TTF’s Josh Wassung.

By using clever camera tracking – on set monitors and devices can see like actual holograms.

DisruptAR and Orbital VP Studios in LA recorded at HPA.

The shortlist for the 2022 Sci-Tech Oscar and Awards consideration

PXO continues to support a variety of projects on their VO stages in Toronto.