Kevin Pike Elected to Emmy’s SVE Governor
fxguide congratulates Kevin Pike on being elected as the new Special Visual Effects Governor for the Academy of Television Arts & Sciences. Special Effects Supervisor, Kevin Pike, an industry professional for over 36 years, started his career on “JAWS,” in 1974. For AMPAS, he serves as a member of the Visual Effects Branch Executive Committee […]
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Krakatoa and Deadline
Chris Bond of Thinkbox Software gets us up to date on their Krakatoa and Deadline products, and discusses some of the underlying tech.
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F3 vs 5D MkII
As part of our Red Centre Podcast coverage we want to share this clip with you that compares the Canon 5D Mk II and the new Sony F3. In this test, both cameras were attached to the same tripod locked together – and then panned over the same technical background. The results show the F3 […]
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Deluxe buys Ascent Media
After the markets had closed on the eve of the USA Thanksgiving weekend, the LA Times reports that “Deluxe Entertainment Services Group said Wednesday it has reached an agreement to acquire the bulk of Ascent Media Group, the Santa Monica-based postproduction company, for $68 million” We understand that the purchase price has been allocated as […]
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DirecTV Cyborg Fight Club
In ‘Ice Cream’, a DirecTV spot directed by Rupert Sanders, two battling cyborgs literally crash and burn through several rooms of an apartment as the owner manages to pause their actions. We talk to MPC in Los Angeles about their visual effects work for the commercial, with some great before and after clips.
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Mari Launch Event in LA
The Foundry will be having a Mari launch event in Los Angeles on December 1. Presenters include Brandon Fayette & Jake Raymor from Bad Robot Production, Scott Metzger from Method Studios, and Brad deCaussin from Digital Domain. Click through for more details, including a registration link.
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Framestore: Deathly Hallows Animation
The crucial origin of the ‘Deathly Hallows’ is told inside the latest Harry Potter film via a three minute animated sequence directed by Ben Hibon and created by Framestore. In it, we learn of the story of the Three Brothers and their encounter with Death. Sequence supervisor Dale Newton tells us how it came together.
Watch for more HP7 stories, podcasts and interviews coming up here at fxguide. UPDATED
Red Centre: F3 on location
In this week’s fxguide Red Centre podcast we examine the new Sony F3 camera. Jason Wingrove shot with one of only three F3 cameras in the world this week, testing this new Super35 Sensor Sony camera that will be released in Feb 2011. In the Red Room, Maarten Treurniet of Marvin goes head to head […]
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red centre #076
Jason takes one of only three Sony F3 cameras and road tests it. Plus in the Red Room, Maarten Treurniet of Marvin goes head to head with Mike on DIT.
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State Film Subsidies report
Yesterday the Center on Budget and Policy Priorities released a study examining film and TV tax subsidies in the US. Titled “State Film Subsidies: Not Much Bang For Too Many Bucks” the report is very critical of subsides concluding “State film subsidies are a wasteful, ineffective, and unfair instrument of economic development.” In an LA […]
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Asylum Visual Effects closing
After 11 years it appears that Asylum Visual Effects in Santa Monica is closing. Nathan McGuinness built a shop that had a strong reputation providing high end visual effects for films like Master & Commander, Sorcerer’s Apprentice, Curious Case of Benjamin Button and Terminator Salvation (IMDB) as well as commercials like the recently released Call […]
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Stargate Studios: Walking (the) Dead
Stargate Studios is handling the visual effects for The Walking Dead, AMC’s new TV series based on Robert Kirkman’s zombie apocalypse comic and directed by Frank Darabont. We take a look at some of Stargate’s zombie enhancement and virtual set work for the pilot episode.
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the vfx show #111: Terminator 2
https://media.fxguide.com/vfxshow/The_VFX_Show_111-_Terminator_2.mp3 Play in new window Download Mike Seymour, Matt Wallin and Jason Wingrove go back to revisit another all time great, ‘Terminator 2’ and the birth of the “digital” character. Download The VFX Show #111 here Get every vfx show episode automatically delivered! Free iTunes Store subscription Producers: Mat Graham and Todd Scholton Show Notes: […]
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RenderMan drops in price
Pixar announced today that it is dramatically lowering the cost of RenderMan. As the most highly regarded feature film renderer, – this is significant news. It will allow more independent owner/animators to use RenderMan on smaller projects and its volume pricing reductions reflect the massive growth in render farms. Fxguide spoke to the RenderMan team about the new pricing.
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fxguidetv: MPC Nuke Breakdown Syfy
We have looked at Nuke in a feature film environment here at fxguidetv, so we have shifted gears and look at Nuke in a Promo environment. This week we speak to MPC’s Nuke artist Alex Harding, who takes us through a breakdown of one of the promo films for the the US cable network Syfy, […]
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New fxpodcast: Skyline on RedMX
This week Skyline opened in the USA. The film looks like a Hollywood Blockbuster but cost only $10million. While it opened modestly – it still grossed $4.7M on Friday alone. Whatever you think of the film – the significance of this should not be overlooked. This is a VFX house not waiting for the next […]
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AnimfxNZ Avatar
Weta Digital recently gave an incredible full day ‘Making of Avatar presentation on James Cameron’s film as part of this year’s AnimfxNZ conference in Wellington. Here is a rundown of some of the major points brought up by Weta supes and artists from the day. Weta’s accomplishments The Making of Avatar‚ was actually one of […]
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