NVIDIA is collaborating with top academics to present 16 SIGGRAPH Papers
NVIDIA works with 14 academic researchers on 16 SIGGRAPH ’22 papers
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Avatar: The Way of Water: Does it seem it was worth the wait?
A special (technical) view of the new Stereo Avatar: The Way of Water
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fxpodcast #340 Advertising and Creative on Madison Avenue
We talk to the Artery’s Vico Sharabani about creativity and the evolving business of engaged creativity.
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Pixomondo Bashes Environments with KitBash3D
Given the volume of models for episodic work, Pixomondo finds great value in Kit-bashing.
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Union VFX for Operation Mincemeat
Union discusses creating the dramatic VFX for UK WWII thriller Operation Mincemeat
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Heavenly Virtual Production.
Pixomondo continues to expand its use of LED volumes in short-form projects such as commercials.
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Everything Everywhere All At Once VFX Team All at Once
An in-depth talk with All the VFX team, All at Once (well 4 of the 5 artists)
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fxpodcast #336: Chris Corbould SFX Supervisor 007
SFX Oscar Winner Chris Corbould discusses Bond, Bombs, and Bank Districts.
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fxpodcast #335: Nuke meet Unreal, play nicely.
The upcoming Nuke release sees the addition of direct Unreal importing and control.
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Foundational Visual Effects
In the build up to this week’s final brilliant episode of Foundation, we explore DNEGs work on Apple+’s hit series.
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fxpodcast #334: Paul Debevec on IBLs + Virtual Production LED Stages
We talk to Paul Debevec on IBLs and using them in LED Virtual Production Volumes along with guest Erik Erik Winquist from Weta Digital.
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Digital Avatars at GTC
NVIDIA’s Jensen Huang outlines vision for AI, Robotics, and Omniverse Avatars in his GTC Keynote
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Golaem 8 including Real-Time crowd sims for UE4
Golaem 8: Real-Time crowd simulation for Unreal and significant improvements for Maya and Houdini users.
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ILM solves Y Last Man
We talk to Stephen Pugh and Michael Beaulieu about the challenges and process of bringing ‘Amp’ to the screen for Y Last Man.
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fxpodcast #333: Perception, Designing Science Fiction & Science Fact
Jeremy Lasky co-founder of Perception discusses Science Fiction and Science Fact design projects.
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Can Xencelabs tablets challenge Wacom?
We have been testing the Xencelabs tablet for the last few months.
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Cinematic Computational Photography
A look at the state of the art in computational photography in the iPhone13 ProMax.
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fxpodcast #332: Can Computational Photography be Cinematic?
Filmmaker and Chief Creative Officer at Maxon Stu Maschwitz joins us to discuss Computational Photography including the new iPhone13 Pro Max
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Fun News from Adobe MAX
Adobe Max has a range of new innovations many using Sensei AI machine learning.
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MacBook Pros : Apple’s Back to the Future
A look at why the new MacBook Pros are both retro and highly advanced.
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Venom Carnage: The Art and Science
Sheena Duggal breaks down the VFX of Venom: Let There Be Carnage
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Reminiscencing about Tech Noir
Scanline and RISE flooded Miami and produced volumetric holograms for
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