‘Everest’ called for complicated filming in mountainous locations, and matching photoreal VFX.

a52 presses the accelerator in this retro car racing spot for Forza Motorsport 6.

Weta Digital run the Maze in The Scorch Trials for director Wes Ball. Plus The Third Floor’s previs.

Special effects supervisor and Legacy Effects co-founder Shane Mahan, presenting this week at Trojan Horse, delves into the practical and digital art behind his studio’s creations.

A preview of VIEW Conference and the stunning presentations planned at this Italian CG/VFX event.

We exclusively look at the concept art done by Weta Workshop for Fury Road. Exclusive video.

Much of the issue with VR is that the more dynamic head tracking struggles with live action – but audiences want to see people…

The new version of Massive is about to be released: we check out the new features with a set of short videos, including 20,000 agents in realtime on one PC!

The story behind making the big chase scenes in Guy Ritchie’s spy thriller The Man From U.N.C.L.E.

How you can still get a ticket to be part of the artist-driven Trojan Horse Was A Unicorn event.

Norwegian artist Alf Lovvold created this fictional trailer on a single workstation, with complicated CG models, foliage and action, all rendered on the GPU.

Path tracing, the trade show, ACES, convergence of games and film, state of the VFX industry and more from Day 3 at SIGGRAPH.

ILM’s 40th anniversary presentation, MPC and DNeg on some new tools and several facial capture and animation talks and papers.