A case study on unifying Framestore’s TVC production.

How Ant-Man’s VFX team made a young Michael Douglas, brought macro photography to the fore and made us feel for six-legged insects.

We talk to the Minions animation director about crafting the ‘nearly silent film’ characters for the Despicable Me spin-off.

The DreamSpace Eu project is looking to partner industry and academics in advancing virtual production.

A hands on look at the world of pitching for work.

Behind the scenes of the digital Young Arnold, plus all the new Terminators & effects, in Terminator: Genisys.

The visual effects secrets behind the Ted sequel.

Destruction sims, tsunamis and 20 million pieces of floating debris – the VFX of San Andreas.

Inside Pixar’s emotions research, lighting and rendering for ‘Inside Out’.

How the brand new dinosaurs, and a few old favorites, were brought to life for Jurassic World.

Behind the graphic design of the opening titles for Marvel’s Daredevil. Includes a CG breakdown.

How The Third Floor injected some OMG scares into its previs for Poltergeist.

Xlab: ILM moves into a range of immersive spaces- we visit the lab & explain the tech

To celebrate 25 years since Total Recall, we talk to members of the Oscar-winning vfx team: Eric Brevig, Alex Funke and Tim McGovern.

In depth and exclusive coverage of Epic’s open world and ‘Boy and His Kite’ realtime projects.

How they made Gorilla Grodd in The Flash, digi-doubles in Agents of S.H.I.E.L.D. and ships and destruction in Black Sails.