We talk to Sameer Malik, VFX Supervisor, DNEG, and Philipp Wolf, Executive Producer, about The Glass Onion: A Knives Out Mystery.

Union’s VFX work on The Banshees of Inisherin

We’ve been working on more (fun) machine learning demos. Respeecher and Pinscreen join us to demonstrate advanced AI Facial Re-enactment.

MetaHuman Animator is announced along with UE for Fortnight and much more as part of the ’23 State of Unreal keynote at GDC

NVIDIA joins with Shutterstock for generative 3D

Congrats to all the teams that worked on the Oscar VFX films this year.

Fin Design+ Effects discusses their work on the multi-oscar nominated film Elvis.

Autodesk and Shotgrid discuss the move to make RV Open Source

Wētā’s having a great year with 6 of the 20 nominees over 3 films. We speak to Wētā Visual Effects Supervisors from all 3 films.

Nominees in 25 categories for this year’s VES awards were selected by VES members at 27 in-person and virtual nomination events conducted worldwide last weekend (the event unfortunately overlapped with the Oscar Bake-off).

In the new Whitney Houston Bio-pic, the film’s crowds were made with volumetric capture – a first for this approach at this scale. We talk with Zero VFX’s Brian Drewes.

All Quiet on the Western Front is one of the shortlisted films in this year’s VFX bakeoff.

WestWorld aimed to do as much work as they could in camera, but they still relied on a host of invisible effects work by FutureWorks.

Volumetric startup Arcturus received $11M Series A funding, including investments from Epic Games and Autodesk.

A look at the Virtual Production improvements in UE5.1

Congrats to all the Artists at SPI on 20 years of Spider-Man

Union discuss the VFX for the Sex Pistol’s bio-pic series Pistol.

Digital Domain plays ball with Joe Montana in 1984.

NVIDIA unveiled a no-code digital human chatbot link to Epic’s Metahumans at GTC.