Epic has just released stats on the growth and use cases around the Unreal Engine.

Action VFX and Undertone FX are now offering fire real-time effects for game engine use.

Lars Wemmje explains how to Dance on Mars.

Congrats to all the nominated films’ teams of artists, TDs, and producers.

Unity acquires Ziva

The VES tech Committee looks forward to what workstations artists could and should be using, in the VFX Reference Platform 2021 Survey.

Congrats to all this year’s nominees in the 20th VES awards.

Vigil has only just been released in the USA, VFX by Goodbye Kansas Studios.

Autodesk, in collaboration with Epic Games, has released a new Maya Unreal Live Link

Co-Directors Matt Manhire and David Whiteson recently finished a Mcdonald’s commercial shot entirely using VP.

NR is so much more than DeepFakes, as Synthesia is demonstrating.

Early access to Angie for Clarisse.

An in-depth, deep dive Case Study on Volumetric Capture : Coldplay BTS My Universe

We discuss The-Artery’s SYNTHia with Vico Sharabani

NVIDIA’s Jensen Huang outlines vision for AI, Robotics, and Omniverse Avatars in his GTC Keynote

Golaem 8: Real-Time crowd simulation for Unreal and significant improvements for Maya and Houdini users.

We talk to Stephen Pugh and Michael Beaulieu about the challenges and process of bringing ‘Amp’ to the screen for Y Last Man.

We have been testing the Xencelabs tablet for the last few months.

MetaHumans signing in New Zealand at Kara Technologies.

Scanline and RISE flooded Miami and produced volumetric holograms for

Congrats to the 2021 Engineering Emmy Awards Winners

10 key questions about the new RedShiftRT you wanted to know

Weta Digital has joined with SideFX to provide a new software service WetaH built around Houdini.

The Winners of this year’s Real-Time Live.