The Mill’s FACS based digital Albert Einstein, transported from the 1950s to the present day.

We look at the animated video “Northstar,” Respawn and EA released, and created by DD

Cloud rendering is expanding but not in every part of the Ecosystem. We speak to GridMarkets about their success.

With the interest in MetaHumans, triMirror is developing real-time tools to design & fashion garments for these new digital humans.

NVIZ used their our virtual camera system (ARENA) to set up shots for The Midnight Sky.

A rundown for Day 2 of RTC and the Digital Human talks.

Congrats to all the winning films and teams

Scanline VFX completed their work in just seven months to help bring Zach Snyder’s version of the film to an audience.

Flame adds new machine learning camera tracking to the new software release.

Artifex Studios and CoSA visual effects work for Resident Alien

Congrats to all the artists and teams in this year’s VES awards

ILM shows the use of Stagecraft 2.0 in season 2 of The Mandalorian.

Stargate test Tru-vision with URSA Mini Pro 12K cameras.

The list of 2021 Oscar Nominees.

Exclusive: DI4D releases PURE4D AI for large volume games characters

Mank is a monochrome love letter to early cinema and some early VFX approaches.

We road test the Faceware Studio Rig

Film straight to the cloud

Epic Games launches the new streaming MetaHuman Creator

The 2021 shortlist for Nominations for the 93rd Academy Awards in VFX and Animated Short Film

DD and Respeecher bring back Vince Lombardi with help from advanced machine learning

This year’s Sci-tech Winners: and we speak to one of those winning teams about ftrack studio

Virtual Production news from MELS in Canda and also from NCam & disguise.

Barnstorm VFX provide a (not so fond) farewell to 2020