The usual news, gear & ratholes, FCP’s obituary plus Jason Diamond talks Epic.

The focus is on the recent Cinegear event in LA which Mike attended. Jason is back from stage 3 of his global mega shoot and we talk about our approaches to PL mount lenses.

This week, in response to listener questions, the focus is on lenses. We also talk to Motion Theory about their Fiat spot to reintroduce the brand to the USA

We discuss Jason’s massive shoot around the world (while he is temporarily in Sydney- between flights), – plus catch up on news, including a preliminary discussion about the new S-log option for the 5D.

We talk NAB, Deliveries, look at some key EPIC third party products and discuss S-Log on the F3 with Tyler Ginter and the team at Next Level Pictures.

We talk to Stu Maschwitz who shot with the EPIC in NZ for a week in the lead up to the new term at fxphd.

We discuss the EPIC camera – as Jason takes it poolside, the new Sony FS-100 camera, and the Alexa on the BBC drama Upstairs, Downstairs.

A very different RC this week as it was recorded on set while shooting with the new RED EPIC Camera.

Jason and Mike talk to some very successful independent SLR film makers and discuss the new Apple MacBooks and their value to film makers.

Jason and Mike discuss the week’s news and are joined by Lee Peterson in the Red Room to discuss digital camera sensor calibration and the cameras of the Apollo Moon Landing.

Jason and Mike discuss stereo floating windows, the new Phantom camera and are joined by James Neihouse in the Red Room to discuss stereo NASA IMAX projects.

Mark L Pederson in the Red Room from Off Hollywood discussing Storm and the delivery of the first Epic – serial number 00006. We also test the Nikon D7000 in Germany.

Digital Cinematography with VFX sup: Angus Bickerton in the Red Room – Plus NASA Camera love

This week talking about Epic-M and Arri Stereo Raw Recording with the Codex plus news and gear.

Jason takes one of only three Sony F3 cameras and road tests it. Plus in the Red Room, Maarten Treurniet of Marvin goes head to head with Mike on DIT.

The Spheron HDR video camera in London, The Triplicator in New York, Jason in Adelaide – all from the Tech Penthouse of fxguide.com in Sydney.

Red MX in Features, Ed Moore in the UK, Red Bull not in Space and much more

We talk to the guys who actually shot the RED Barn and Vegas HDRx shots, plus the Red Bull Stratos in the RedRoom, the Teradek Cube Ninja’s and much more

Loads of news this week – an Epic Red Centre. Acronyms by the truckload with RED SSD’s, HDRx & Alexa+ at IBC & DOP Time Palmer Shoots DSLR’s for the BBC.

This week we are in Europe for IBC. We start our coverage with a STORM series of interviews. We talk to both Ted Schilowitz from Red and Richard Shackleton from the Foundry about STORM for Red workflow.

Canon conceptualizes 4K and other news from the Canon Expo in New York with Jim Geduldick.

Plenty of RED news, Dead drives, & EVIL cameras. In the Red Room: TAKERS Director John Luessenhop & Gear this week from Deadly Cine

This weeks Red news plus doublers, Lego powered CGI Timelapse & Audio gear.

Mike is in LA for Siggraph – having just shot SLR video in Yellowstone for a week with CPT Tyler Ginter, Mat Graham and John Montgomery. In the Red room, Jason looks at the Teradek Cube HD WiFi Transmitter.

Red news, in the Red room we speak to Kyle Ruddick from the One Day On Earth project & Stu Maschwitz joins us to say why fetishists should relax!

Fight Night. Jason and Mike address the embarrassing post, and answer listener questions.

Jason is on the road, Mike goes to PMA with VFX Supervisor Peter Webb and then crosses to LA to cover Cinegear with David Wakley ACS.

We review the final of House shot on a 5D, review the latest news and discuss the new Weisscam HS-2 Camera with Aki Schirmer from P&S Technik in the Red Room.

We look deep into infrared, stare into Hot Mirrors and gear up with geared heads